前世情迷
最近小雯晚上总是作些奇奇怪怪的梦，导致白天精神不振，工作有些失常怪异。好友瑶瑶很关心的追问，小雯只好老实告诉她，瑶瑶认为小雯因没男朋友才会这样，提议她加入香肠族，就不会再作恶梦了。小雯自从加入香肠族后,在空中认识某催眠大师，但是却使得她梦境更加严重，常梦到前世的事，于是小雯拉好友瑶瑶一起找催眠大师，想问清楚她怎么会这样 ? 但小雯看到催眠大师却非常害怕，因催眠大师就是她梦境中的大坏人。瑶瑶和她的男友为了帮助小雯，替她找到一位精神医生，医生对瑶瑶说他有一位病患，也和小雯有相同的病情，就是催眠大师，会不会这两人前世有关连 ? 经过医生从中搭桥梁，小雯终于正式和催眠大师认识，双方可以正面交谈，于是其斩不断的前世情孽，需留待今世偿还，终使双方化解前世阴影
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剧情简介
最近小雯晚上总是作些奇奇怪怪的梦，导致白天精神不振，工作有些失常怪异。好友瑶瑶很关心的追问，小雯只好老实告诉她，瑶瑶认为小雯因没男朋友才会这样，提议她加入香肠族，就不会再作恶梦了。小雯自从加入香肠族后,在空中认识某催眠大师，但是却使得她梦境更加严重，常梦到前世的事，于是小雯拉好友瑶瑶一起找催眠大师，想问清楚她怎么会这样 ? 但小雯看到催眠大师却非常害怕，因催眠大师就是她梦境中的大坏人。瑶瑶和她的男友为了帮助小雯，替她找到一位精神医生，医生对瑶瑶说他有一位病患，也和小雯有相同的病情，就是催眠大师，会不会这两人前世有关连 ? 经过医生从中搭桥梁，小雯终于正式和催眠大师认识，双方可以正面交谈，于是其斩不断的前世情孽，需留待今世偿还，终使双方化解前世阴影
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道恩·强森,艾什莉·贾德,斯戴芬·莫昌特,瑞恩·谢克勒,塞思·麦克法兰,朱莉·安德鲁斯,切斯·埃利森,黛斯特妮·惠特洛克,布兰登·T·杰克逊,Dan Joffre,埃莉·哈维,巴克莱·霍普,迈克尔·登杰菲尔德,Dale Wolfe,Josh Emerson三国的星空第一部
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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An epic mosaic of lonely people with crossed destinies who will set their sights on Arthur Morhan, a psychoanalyst on the verge of a breakdown.
潇洒先生
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