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不被允许的背德肉体忘不了……被邀请的儿子忆起甜的一件东西…… 母子家庭和度过了，纯子和亮一 那纤细的手腕上亮一培育了她了，丰满的熟了的肉体“做个女人”忘了没有……难过也言い募り走投无路的声音的同时，纯子的那个夜晚，那一手培育了亮一的肉棒上，多次尽头了药继续沉睡的亮一上滴ら一边让……唯一一次的错误，蕩け的表情…
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异羽之鸟
贾亚士里,Mahadev Hadapad,Rekha Kudligi疯狂天才
史宾塞·洛克,泰米娜·森尼,法兰·塔希尔,斯科特·麦克洛维茨,丽维·陈,克里斯·梅森,格本加·阿金纳格贝,brandon scott,klement tinaj,derek s. orr,nicole fahel柔情挚我
薇姬·克里普斯,莫妮亚·乔柯里,维果·费雷拉-雷迪尔,安托万·赖纳茨,费奥多尔·阿特金,朴智敏,Manuel Vallade,奥拉利亚·佩蒂特,萨利夫·西塞,朱利安·德·圣·让,玛洛·赫比齐,安娜·西加勒维奇,Tallulah Cassavetti,安东尼·米切尔,乌姆尼亚·哈纳德清算
高捷,姜皓文,侯桐江,湛佳明 Jiaming Zhan,张荣祥 Cheung Wing-Cheung,屈刚,张媛钰,贾天明,景乐,韩则怡 Zeyi Han,武岳 Yue Wu,张怀公,洪子龙 Zilong Hong,刘浩岚 Haolan Liu,刘开心 Kaixin Liu银河守门员
维多利亚·阿加拉科娃,Georgiy Bestaev,Khristina Blokhina,Valeriya Bukhina,沃尔夫冈·塞尔尼,Aleksandra Cherkasova,Artyom Chetverikov,Ekaterina Dar,Olga Degtyaryova,瓦莱丽娅·德米特里耶娃,Pavel Dorofeev,米克哈尔·弗里蒙弗,Ivan Egorov,Diana Enakaeva,Ivan Fedotov,斯维特兰娜·伊万诺娃,玛尔塔·蒂莫菲娃,尤里·库琴科,叶甫盖尼·米罗阿尔菲1966
迈克尔·凯恩,谢利·温特斯,米利塞特·马丁,茱莉亚·福斯特,珍·爱舍,雪莉·安妮·菲尔德,维维恩·莫坚特,伊莲诺·布罗,丹霍姆·艾略特,阿尔菲·巴斯,格雷厄姆·斯塔克,穆雷·梅尔文,西德尼·塔夫勒人气佳作
希望的另一面
韦勒·维坦恩,卡蒂·奥廷宁,汤米·柯贝拉,什万·哈吉,詹恩·海蒂恩,玛丽亚·贾维纳廉明,萨卡里·库斯曼嫩,约恩·唐纳,妮若兹·哈吉,伊尔卡·克伊瓦拉,米尔卡·阿罗斯,蒂莫·托里克卡,苏勒维·佩尔托拉,坦利·梅克拉,努普·科伊武邪恶护士2
苍井空,Ricky Harun,Zidni Adam手机有鬼
汉娜·霍克斯特拉,Isis Cabolet,罗伯特·德·霍格,Alex Hendrickx,马菲积斯·范德桑德·巴库曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,丽莎·斯普斯,扬容·斯皮森伯格,马克·范·伊文雷霆营救
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照亮黑暗
Follows the relentless journey of a determined young woman as she unravels the disturbing truth behind a serial rapist.
箭下的约翰娜
三个兄弟姐妹制作了一个骑士般的人物，结果却射出了一连串的箭。随着季节的推移，我们观察了他们的生活，因为他们都在建造和拆除他们逼真的作品。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.