失踪：消失的妻子

　　一位单亲母亲带着两个女儿在乡下生活数年后重返台北，在热闹的夜市摆起小吃摊。面对新环境，三人以各自的方式努力适应，既要维持生计又要守护家庭完整。当传统观念根深蒂固的外祖父禁止左撇子小孙女使用"恶魔之手"后，这个三代同堂家庭深埋的秘密开始逐渐浮出水面。

故事围绕墨西哥特种部队精英卡洛斯（绰号“公牛”）展开，他在一次任务中成功抓获了犯罪集团头目，却因此遭到报复，妻子在他面前被残忍杀害，自己也沦为通缉犯。走投无路之际，他意外中了彩票头奖，一夜之间拥有了复仇的资本。他与挚友、战友米格尔联手，将全部财富转化为武器和情报，从被通缉的逃犯，变成了以暴制暴的“复仇猎人”，目标是让所有参与杀害他妻子的人，付出最惨痛的代价。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　本作由井上刚担任导演，与NHK四月播出的剧集《地震之后》共享故事框架，同时新增场景重新剪辑而成。该片基于村上春树短篇小说集《神的孩子全跳舞》中四则短篇，讲述关于丧失与重生的故事。描绘1995年阪神淡路大地震后，四个在不同时代与地域背负孤独生存之人的命运交织，最终与当下产生联结的历程。