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Anupam Kher,Naseeruddin Shah木匠之子
尼古拉斯·凯奇,诺亚·尤佩,小枝女孩,伊斯拉·约翰斯顿,索海拉·雅各布,Penelope Markopoulou,Orestis Paliadelis,埃莉娜·托帕丽朵,马诺利斯·马诺里斯,Thekla Gaiti,Kaiti Manolidaki,Dimitris Louskos,Stavros Kottas,Zisis Papaioannou,Michalis Ioannou,Viktor Hristov,Odisseas Zikas,Gary Salomon,Lee Papadakis,Harila三国的星空第一部
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九龙大众浪漫真人版
吉冈里帆,水上恒司,龙星凉,柳俊太郎,梅泽美波,花濑琴音 ,フィガロ・ツェン,山中崇,サヘル・ローズ,关口曼迪,岛田久作复仇天使
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玛格特·罗比,瑞恩·高斯林,亚美莉卡·费雷拉,阿丽亚娜·格林布拉特,凯特·麦克金农,海伦·米伦,威尔·法瑞尔,伊萨·雷,哈莉·尼夫,艾玛·麦基,亚历山德拉·希普,莎朗·鲁妮,妮可拉·考夫兰,迈克尔·塞拉,康纳·斯温德尔,舒提·盖特瓦,刘思慕,金斯利·本-阿迪尔,斯科特·埃文斯,杜阿·利帕,约翰·塞纳,雷亚·普尔曼,里图·阿亚,安娜·科鲁兹·凯恩,埃默拉尔德·芬内尔,詹米·德米特鲁,安·罗斯,玛瑞萨·阿贝拉,妮基塔·查达哈,安妮·玛莫罗,麦肯纳·罗伯茨,汉娜·卡利克-布朗,斯特林·琼斯,黛布·海特,杰西卡·喂，应为
长泽雅美,永濑正敏,高桥海人,大谷亮平,筱井英介,奥野瑛太,寺岛忍怪谈晚餐
朴昭怡,刘多仁,尹贤旻,张光,李周英,金周灵,高恩敏,李素英,吴承姬,张睿恩,张丞延,金太竣,潘素英,申银秀,金浩贞,金东英,申文成,金太勋,赵在允,崔秀林,朴真雅忌怪岛
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死在那年夏天
吉拉育·拉翁马尼,Suthatta Udomsilp,พิมพกานต์ แพร่คุณธรรม,กฤษ สถาปนพิทักษ์กิจ,เอกวัฒน์ เอกอัจฉริยา乔伊是学校里公认的校花，她拥有着美丽的面孔和优越的身世，毫无疑问每日生活在幸福之中。然而某一日，这位集万千宠爱于一身的可爱姑娘却在社交网络上留下了“我想死”的绝望信息。阿信是乔伊的男友，两人之间感情十分要好，看到女友闷闷不乐的样子，阿信决定同好友阿敢一起，带着乔伊和她的闺蜜小敏前往海边度假。 众人本以为，这会是一场充满了疯狂和欢乐的旅程，然而，乔伊的惨死却为这场派对蒙上了惊悚恐怖的阴影。余下的三人受到了不小的惊吓，他们决定隐瞒整个死亡事件，希望生活能够就此回归平静。不过显现，乔伊的冤魂并不愿意放过他们。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
给我你的爱2
塔布,阿贾耶·德乌干,马达范,妮哈.沙尔玛,拉库尔·普雷特·辛格Love faces its toughest test yet as Ashish visits Ayesha's family home. Will the age-gap romance win hearts or stir things up? This Pyaar vs Parivaar clash promises a relatable, riotous ride for every kind of audience.
怪形前传
玛丽·伊丽莎白·温斯特德,乔尔·埃哲顿,乌尔里奇·汤姆森,艾瑞克·克里斯蒂安·奥森,阿德沃尔·阿吉纽依-艾格拜吉,保罗·布朗斯坦,琼德·埃斯彭·塞姆,Kim Bubbs,尤尔根·朗赫勒,简·冈纳·勒伊斯,斯蒂格·亨里克·霍夫,克里斯托弗·海维尤,霍·阿德里安·哈万,卡斯腾·拜卓隆,乔纳森·沃克,迈克尔·布朗时为1982年，一支隶属挪威的三人南极科考队在冰原中行进，意外发现一艘一百万年前的奇怪船只，并且在附近找到了冻于严冰之中的神秘生物。才貌双全的美国古生物学家凯特·洛伊德（玛丽·伊丽莎白·文斯蒂德 Mary Elizabeth Winstead 饰）在桑德尔·哈沃森博士（Ulrich Thomsen 饰）的邀请下，随同一众科研工作者前往南极。经过认真研究，他们发现这是地球上从未有过的生物。正当科学家们为了这个伟大的发现载歌载舞庆祝之时，神秘生物悄悄解冻，继而向人类展开凶残的袭击。经过一番惨烈的搏斗，怪物最终葬身火海。 但是厄运并未就此结束，经过对怪物细胞的观测，凯特隐隐感到一场灾难正向全人类袭来……