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德古拉2025
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飞鸟凛,川村雪绘,岩佐真悠子,真山明大,谷口贤志,草野康太,中野英雄,斋藤洋介,林未纪送葬人
道格拉斯·史密斯,卢锡安·拉维斯科特,克雷西达·博纳斯,道格·琼斯,迈克尔·特鲁科,珍娜·凯内尔,埃丽卡·特伦布莱,玛丽莎·埃切维里亚,克利奥·金,费·唐纳薇,凯瑞-安·莫斯,雷·沃纳尔,凯琳·伍黛尔,拉腊·诺克斯,乔纳森·潘内尔,尼古拉斯·萨德勒,玛莎·哈克特,库尔特·岳爱尔兰式告别
米歇尔·费尔利,帕迪·詹金斯,James Martin,谢默斯·奥哈拉古曼童
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凯特琳·德弗,Ginger Cressman,扎克·杜哈梅,杰拉尔丁·辛格,Rose Bianca Grue,Dari Lynn Griffin,Elizabeth Kaluev,Evangeline Rose,Devyn Sandidge,Lauren L. Murray,John Cortes,娜塔莉·阿拉尔孔,Bridget Malbrough同类精选
巨兽格果
比尔·特拉弗斯,威廉姆·西尔维斯特,文森特·温特,Christopher Rhodes,约瑟夫·奥康纳,布鲁斯·西顿,马丁·本森,莫里斯·考夫曼,瓦西里·迪格纳穆列宁格勒牛仔搭摩西
Twist-Twist Erkinharju,Ben Granfelt,Sakke Järvenpää双瞳
梁家辉,刘若英,戴立忍,大卫·摩斯,杨贵媚,林涵,郎雄牛排
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苏尚特·辛格·拉吉普特,菊池隆则,阿南德·蒂瓦里,Swastika Mukherjee影视排行
喷火女郎
邱淑贞,郑丹瑞,郑裕玲,叶德娴,朱江,黎小田,文隽,黎彼得,程东,陈慧仪,苑琼丹,李兆基,刘松仁叉烧（郑丹瑞 饰）是一个不务正业的小青年，整体装神弄鬼骗钱。一天，叉烧的一个租客——在夜总会当妈妈桑的大B（叶德娴 饰）的家里来了一个客人，她美丽的外甥女云云（邱淑贞 饰）。大B用尽千方百计将美丽的云云哄到夜总会当舞女，想着从她身上大赚一笔。一个晚上，黑社会老大炮哥到夜 总会消遣时遇到了云云，炮哥垂涎她的美色，找人把云云捉走了。怎知谁也料不到云云这个弱女子竟然拥有超能力——会喷火，关键时候她用自己的超能力脱身了。不久叉烧就得知了云云的这个本领，于是，一个坏主意计上心头……
提前的葬礼
姜末琴,奉太奎由于他们的父亲处于昏迷状态，护士Seon-young敦促她的兄弟Il-hoe举办一场假葬礼，因为他负担不起儿子的学费，有可能看到他错过大学。他们伪造死亡证明并欺骗医院，但随着压力的增加，他们的计划开始以意想不到的方式瓦解。
冰尸玩过界
Seth David Mitchell,Brit Morgan,Noah Segan不久前刚刚得知自己怀孕的艾玛（布丽特·摩根 Brit Morgan 饰），怀着异样复杂的心情随同尚不知情的男友麦克（希斯·戴维·米切尔 Seth David Mitchell 饰）来到一处位于雪山冰原之间的小镇度假。无垠旷野，万籁俱寂，看似一切都是那么浪漫美好，但是他们驾驶雪地摩托时遭遇事故，二人相互搀扶，勉强回到帐篷。在完全没有信号的深山腹地，麦克他们不仅要对抗严苛冰冷的自然环境，还要承受莫大的精神压力尽快修好雪橇摩托逃离此地。 在此过程中，二人间爆发着争吵，而更大的危机正渐渐向他们逼近。直到某天，艾玛意外变成了这座山林中的孤身一人……
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster