抖娘利世和瑜伽男教练的快乐一天
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戴高乐之战：淬炼时代
西蒙·阿布卡瑞安,西蒙·拉塞尔·比尔,弗洛里安·莱西耶,伯努瓦·马吉梅尔,马修·卡索维茨,罗伊·柯贝里,安娜玛丽亚·沃特鲁梅,尼尔斯·施内德,费利克斯·基赛勒,卡里姆·莱克路,汤姆·米森,卡西·莫泰·克莱恩,蒂埃里·莱尔米特,坎贝尔·斯科特,格莱戈尔·科林,丹尼尔·贝茨,皮普·托伦斯,斯蒂芬·坎贝尔·莫尔,安东尼·凯尔夫,Conor Lovett一部关于夏尔·戴高乐的两部曲电影。两部影片将讲述戴高乐于1940年至1945年间的生活与政治投入，并追溯他走向政治生涯的发展历程。
马布里街头小霸王：情窦初开
切蒂奶奶被曾是警察的恶棍绑架，提奇和巴布于是展开疯狂大营救， 还带回一条珍贵的项链，并献上一场音乐表演。
毁灭者2
Terry Kiser,Cody Renee Cameron,Eva Hamilton1984年经典恐怖片的续集。
月吟1990
罗伯托·贝尼尼,保罗·维拉乔,Nadia Ottaviani,Marisa Tomasi,安杰洛·奥兰多,Sim,Susy Blady,Dario Ghirardi,Dominique Chevalier,奈杰尔·哈里斯,Vito,Daniela Airoldi,Stefano Antonucci,Ferruccio Brembilla,Stefano Cedrati,埃托雷·杰里,Franco Iavarone,Lorose Keller,Luciano Manzalini,Eraldo Turra,A幻想喜剧《月亮之声》是费里尼的遗作，影片根据卡瓦左尼的小说《怪人们的月亮》改编。 人到中年却仍保有一颗赤子之心的萨维尼拼命地想要倾听月亮的声音，但是他听到的是一群偷窥男子的欢呼声、蓦地里配音的呻吟声以及沙沙的台风声。当他爬上屋顶想要抓住月亮时，地面上一阵骚动。最后月亮仍然平安无事地高挂天上，萨维尼对着月亮侃侃而谈…… 乍看之下这部影片荒唐无稽、纯粹以意念与影像取胜，是一部浪漫而又带有世纪末颓废味道的作品。 费里尼以他惯用的手法，尤其是借助象征、隐喻和怪诞，表现了众多人物在生活中的种种遭遇和他们的古怪行为，深刻揭示了当代意大利社会生活的荒谬，以及它走向衰落和解体的征兆，喜剧天才罗伯特·贝尼尼表现出惊人的演技。
史努比特辑：欢迎回家，富兰克林
《花生漫画》中最受欢迎的角色之一富兰克林的原型故事，讲述了他如何结交新朋友。富兰克林的家人因为父亲的军职总是搬家，无论去到哪里，富兰克林都会从一本笔记本中找到支持，里面都是他祖父对友谊的忠告。但当富兰克林试图用他惯用的策略和花生一伙打交道时，他很难融入。直到他听说了附近的肥皂盒赛车——根据他祖父的说法，每个人都喜欢赢家。他确信赢得比赛也意味着赢得了一些新朋友。他所需要的只是一个搭档，他找到了查理·布朗。富兰克林和查理·布朗一起制作一辆汽车，在这个过程中成为了好朋友。但随着比赛临近，压力越来越大——他们的汽车和新建立的友谊能到达终点线吗？
嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment