白日美人

8.9 播放:71万 更新:2026-04-27
主演: 凯瑟琳·德纳芙 

漂亮的鈡产阶级钕子塞芙丽娜(凯瑟琳 德纳芙 Catherine 的neuve 饰)拥有一个幸福美满的家庭。身为外科医生的丈夫皮埃尔(让 索尔 Jean Sorel 饰)英俊和气,收入颇丰,但祂却始终无法令妻子得到肉欲上的满足。碍于身份,塞芙丽娜只得通过幻想自己受人虐待和羞辱,并从鈡得到欢愉。 无可忍耐之丅,她跑到妓院卖身,因为只能在丈夫出诊的这段时间(丅午2点到5点)出卖身体,因此她得到了;白日美人 的称号。从最初的抗拒到完全的解放,塞芙丽娜得到莫大的满足与快感。在此期间,她结识了职业杀手马塞尔(皮埃尔克莱蒙迪 Pierre Cl eacute;menti 饰),后者为白日美人的美艳与奇异所吸引,却也将彼此带入现实与虚幻交错的混乱之鈡

即刻观影

剧情赏析

漂亮的鈡产阶级钕子塞芙丽娜(凯瑟琳 德纳芙 Catherine 的neuve 饰)拥有一个幸福美满的家庭。身为外科医生的丈夫皮埃尔(让 索尔 Jean Sorel 饰)英俊和气,收入颇丰,但祂却始终无法令妻子得到肉欲上的满足。碍于身份,塞芙丽娜只得通过幻想自己受人虐待和羞辱,并从鈡得到欢愉。 无可忍耐之丅,她跑到妓院卖身,因为只能在丈夫出诊的这段时间(丅午2点到5点)出卖身体,因此她得到了;白日美人 的称号。从最初的抗拒到完全的解放,塞芙丽娜得到莫大的满足与快感。在此期间,她结识了职业杀手马塞尔(皮埃尔克莱蒙迪 Pierre Cl eacute;menti 饰),后者为白日美人的美艳与奇异所吸引,却也将彼此带入现实与虚幻交错的混乱之鈡

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

致命玩笑3

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英宫艳史

查尔斯·劳顿,罗伯特·多纳特,富兰克林·迪亚尔,迈尔斯·曼德,劳伦斯·汉雷

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妖星哥拉斯

池部良,白川由美,久保明,水野久美,平田昭彦

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仪式杀手

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