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宠物坟场2(2023)
杰克逊·怀特,娜塔莉·阿琳·林德,福勒斯特·古德勒克,Isabella LaBlanc,亨利·托马斯,杰克·马赫恩,大卫·杜楚尼,萨曼莎·玛西丝,帕姆·格里尔,克里斯蒂安· 杰达,Steve Love,卡尔·格拉戈萨斯,文森特·莱克莱尔,Glen Gould,马特·霍兰德,泰德·惠托尔,John Boylan,Noah Labranche,Corgand Svendsen,Jude Beny改编自斯蒂芬·金小说。是2019年那部宠物坟场的前传。讲述1969年贾德·克兰德尔发现了一段黑暗的家族史：一个神秘坟场里被埋葬的人和动物都会复活，但事情绝没有看起来那么简单。
致命录像带85
弗莱迪·罗德里格兹,詹姆斯·兰索恩,乔丹·贝尔菲,吉吉·索尔·格雷罗,丹妮·迪特,Chelsey Grant,Alex Galick,Justen Jones,马克·西普卡,Marcio Moreno,Anna Sundberg,Andrew Ghai,Chivonne Michelle,Tyler Noble,Gabriela Roel,弗洛伦西亚·里奥斯,Ari Gallegos,Felipe de Lara,Forrest Hartl,艾薇·拜尔在一部电视纪录片中，五个令人不寒而栗的故事浮出水面:科学家们观察到一个不寻常的男孩盯着电视看，孩子们开始了一场湖上划水冒险，一个电视摄制组在自然灾害中挣扎求生，早期的VR唤醒了一些可怕的东西，一个致命的梦被记录在录像带上。”20世纪80年代的邪恶秘密以一种你从未见过的方 式变得栩栩如生。
潇洒先生
郑则仕,关之琳,戚美珍,张国强,楼南光,柏安妮,焦姣,成奎安,陆剑明,曹建南,龙天生,刘锡贤,叶伟信,劳剑华,黄一飞,许英秀,刘玉婷,许思敏,陈颖芝 ,黄雄潇洒是一个船员，整天在海上漂泊，一去就是几个月，他的妈妈和小妹阿珍都很担心他。一天，潇洒回到家，妹妹非常惊喜，可是他的妈妈并不开心，觉得他没有出息。潇洒很是委屈，于是借酒消愁。阿珍和她的妈妈靠开小店为生，每天，早晨都有很多出租司机来照顾她们的生意，其中有一位司机阿光对阿珍有意思，经常来帮助她们。一天，政府通知他们，房子半年后要撤，但是他们一时又拿不出钱去买新的房子，为了筹钱，于是一家人在阿光的帮助……
汪星人训练营
亚历山德拉·玛丽亚·拉娜,大卫·史崔梭德,安娜·赫尔曼,多加居·雷尔,鲁里克·吉斯拉松,Kerim Waller五个狗主人带着他们淘气的狗狗向山中的传奇老师寻求帮助——但需要接受训练的并不是他们毛茸茸的朋友。
门禁2025
梅歌林·艾奇坤沃克,莫·麦克雷,布兰登·费拉A couple near the end of their marriage begin to encounter supernatural forces that cause them to fight for their lives.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.