白日美人 Belle de jour
美丽的中产阶级女子塞芙丽娜（凯瑟琳•德纳芙 Catherine Deneuve 饰）拥有一个幸福美满的家庭。身为外科医生的丈夫皮埃尔（让•索尔 Jean Sorel 饰）英俊温柔，收入颇丰，但他却始终无法令妻子得到肉欲上的满足。碍于身份，塞芙丽娜只得通过幻想自己受人虐待和欺凌，并从中得到欢愉。 无可忍耐之下，她跑到妓院卖身，因为只能在丈夫出诊的这段时间（下午2点到5点）出卖身体，因此她得到了“白日美人”的称号。从最初的抗拒到完全的解放，塞芙丽娜得到莫大的满足与快感。在此期间，她结识了职业杀手马塞尔（皮埃尔•克莱蒙迪 Pierre Clémenti 饰），后者为白日美人的美艳与神秘所吸引，却也将彼此带入现实与虚幻交错的混乱之中……
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腐坏之巫
阿丽亚娜·德博斯,马尔顿·索克斯,芭比·费雷拉,阿玛拉·卡兰,阿里安·穆阿耶德,桑娅·奥尔森兰,杰瑞米·惠勒,朵卡·格莱拉斯,米克尔·布拉特·西尔塞特,加布里埃尔·德雷克,伊莫拉·加斯帕尔,加博尔·纳吉帕尔,Harry Szovik,Robert Jackson,Rudolf Molnár,Jason York,安德鲁·赫夫勒,Gabor Kovacs,Zoltán Seress,Shiraz Khan一名厨师终于开了自己的高档餐厅，但地址选在了乡野传说中女巫住过的“鬼屋”，可怕的事情发生：食物里有虫子爬出，血腥事件来临……
机器人艺妓
木口亚矢,长谷部瞳,斋藤工,竹中直人,志垣太郎,亚纱美少女芳江（木口亚矢 饰）本是某艺妓馆内的低等侍女，她潜心伺候身为当家艺妓的姐姐菊奴（长谷部瞳 饰），但是菊奴对她颐指气使，绝情绝义。偶然机会，芳江过人的膂力被影野制铁的少爷影野光（斋藤工 饰）所发掘。影野制铁表面上是一家大型家族式钢铁公司，暗中则受命于国家，担负武器的制造工作。与此同时，其创始人影野拳山（志垣太郎 饰）怀有不可告人的野心，他四处网罗人生失意的女孩，将她们训练成美貌与杀伤力并重的艺妓杀手，甚至通过身体机械化改造来加强女孩们的实力。 懵懵懂懂的芳江与菊奴被骗进入影野制铁，姐妹俩更被迫互相残杀。在此过程中，她们为了超越对方而不断加强训练和改造，继而成为影野家族不可或缺的机器人杀手。然而随着任务的进行，芳江却渐渐发现亲情的珍贵以及影野家族的丑恶用心……
宝岛2025
妻夫木聪,广濑铃,洼田正孝,永山瑛太,冢本晋也,中村苍,泷内公美,荣莉弥,尚玄,泷正则,木幡龙,奥野瑛太,村田秀亮,Derrick Dover在二战后尚未归还日本的冲绳岛上，有一群人自可怕的「铁暴风」中幸存下来。他们像动物般活在残破的世界，眼前是垂死的岛民和尸体。于是他们从美军的仓库和基地抢夺物资，延续这座岛上未完的战争，他们被叫做「战果捞客」。直到那一夜，阿恩（永山瑛太 饰）在嘉手纳基地的逃亡过程中神秘失踪，一场曾将故乡烧毁殆尽的铁暴风再度席卷这座岛屿而来。 「活下去，生还才是最大的战果。」多年之后，岛上女孩接连惨遭杀害，一名菜鸟琉球警察（妻夫木聪 饰）奉令侦办命案。追捕疑犯的过程中，在凶手车子里发现的人骨和一名神秘出现的男孩，让他儿时身为战果捞客的记忆与一道道未解谜团又重回脑海。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
虎纹少女
扎芙林·宰丽扎尔,迪娜·埃兹拉尔,碧卡,莎黑兹·萨姆,郡·洛琼,海鲁纳兹万·罗德兹伊,Fatimah Abu Bakar故事一开始，我们见到了12岁的扎凡（扎芙林·宰丽扎尔 Zafreen Zairizal 饰），一个叛逆而无忧无虑的女孩。然而，她的身体开始发生可怕的变化，而她却试图否认和掩饰这些变化，希望在学校里保持正常的生活。随着朋友们对扎凡的排挤和攻击，情节逐渐升级，达到了一个临界点，整个学校陷入恐慌。 学校里关于厕所里藏着一个暗影的传说加剧了恐惧氛围，而一位自告奋勇的医疗官决定赶走困扰众人的恶魔。医疗官很快发现扎凡可能是问题的根源，打算为她进行驱魔。扎凡的内心状态宛如一只被拖出栖息地的受惊老虎，她最终决定向众人展示真实的本性，包括愤怒、狂暴和美丽。这可能是一个关于接受自己真实面貌的故事，同时也涉及到对于社会标准和期望的反抗。
QB坏男孩和我2
斯艾娜·阿古顿,诺亚·贝克,詹姆斯·范德比克,德鲁·雷·坦纳Star QB Drayton and dancer Dallas face relationship challenges amid his recovery from a setback and her doubts about her future. Their bond strains as they deal with distance and personal changes.