在线观看
剧情提要
是整个70年代维尔特米勒创作高峰期里最为著名的一部影片，该片确立了她在那个时期以尖刻**的社会政治寓言为主要创作题材的创作风格。 剧情描述一名富婆跟一群朋友乘游艇在地中海游玩，她在船上对左倾的水手态度恶劣。不料在后来发生的一次船难中，富婆与水手流落到荒岛上，她不得不反过来处处依赖水手，水手也趁火打劫，对她指手划脚，两个人最后竟产生了异常微妙的感情。
暗夜精选
森英恵蝴蝶之外
八木莉可子,中岛裕翔毛骨悚然撞鬼经 15周年特别篇
稻垣吾郎,草彅刚,北乃绮,坂上忍,石原里美,小池彻平,桐谷美玲,菜菜绪,黑木瞳,町田启太,刚力彩芽,岛崎遥香,广濑爱丽丝,藤本泉逃离夺命岛
克里斯·辛普曼,格兰特·舒马赫,詹姆斯·里德尔两个世界一个愿望
汉黛·埃塞尔,梅廷·阿克杜尔格,哈塞·阿维尼·丹亚尔,Ipek Erdem,迪德姆·英瑟勒,塞尔坎·廷马兹,Idil Firat,拉米·纳林,Ilayda Orkut,Eylül Su Sapan,梅尔特·埃格·阿克,Ihsan Ilhan,Deniz Duygu Köse,Nazlican Demir,Erdal Bilingen格斗家
周小伟意乱情迷
麦茜·理查森·塞勒斯,珊农·沃德华德,Rosaline Elbay,Kate Szekely,吉米·让-刘易斯,Benjamin Valenzuela,Brandi Huzzie,拉玛尔·亚瑟,Loren Swan,Kelley Kali,谢恩·玛姆帕米尔,凯西·福特·亚历山大,Sidnei Barboza,Harsh Milan猎杀游戏
格伦·鲍威尔,乔什·布洛林,迈克尔·塞拉,科尔曼·多明戈,凯蒂·M·奥布莱恩,李·佩斯,威廉·H·梅西,西恩·海耶斯,大卫·札亚斯,杰米·劳森,艾米莉亚·琼斯,卡尔·格洛斯曼,丹尼尔·埃兹拉,李·查尔斯,桑德拉·迪金森,乔治·卡罗尔,索菲·西蒙特,奥妮克·阿德莉,乔伊·安沙,布兰登·伯克同系列推荐
毛骨悚然撞鬼经 2025夏季特别篇
小栗旬,上野树里,冈田将生,佐藤健,绫濑遥,石原里美,出口夏希再会亡灵
雷娜特·赖因斯夫,安德斯·丹尼尔森·李,巴哈·帕斯,比约恩·桑德奎斯特,扬·海恩凯维奇,本特·博瑟姆,Denise Trankalis,Olga Damani,Inesa Dauksta,Kian Hansen狼蛛
约翰·艾加尔,里奥.G.卡罗尔,克林特·伊斯特伍德生还2025
邵正一,周思羽,周云鹏,彭禺厶,徐励,邱健,侯佳音,徐雅惠,刘頔,李昕廷 ,王天心 ,李梦瑶,梁颂晴,段秋钰,景天曈,寇文琦,刘政杰,朱宏嘉,曹卫宇,马国伟,杨奇鸣,逯长恩,苗博,郑好,张宏威,叶福生,何熙维,王俏,翟赫人偶之家
长泽雅美,濑户康史,田中哲司,池村碧彩,本田都同花,今野浩喜,西田尚美,品川彻,安田显,风吹淳至尊马蒂
提莫西·查拉梅,格温妮斯·帕特洛,敖德萨·阿德隆,凯文·奥利里,泰勒·奥康马,桑德拉·伯恩哈德,阿贝尔·费拉拉,乔什·伯恩,亚历山大·布里尼策,丹尼斯奎里根,泰勒·戴蒙德,盖佐·罗赫里格,法兰·德瑞雪,弗朗西斯·杜莫里耶,凯文·埃克尔斯顿,约里斯·斯图克,克里斯蒂安·伊格弗丹斯,布莱克·吉奥维蒂,斯宾塞·格兰斯,托雷·希尔幕后花絮
画笔与旋律
马蒂亚是一个画家，与一位有抱负的歌手同居，他靠艺术市场的变化来谋生。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.