第八个嫌疑人
一九九五年，广东发生一起大型武装劫钞案，一辆银行运钞车被五名持枪匪徒抢劫，损失高达一千五百万，三名押钞员更在事件中丧生。事件震惊全国，公安局马上成立专案组，以王守月（林家栋 饰）和何蓝（张颂文 饰）为首的刑警迅速搜证，成功掌握五名抢匪去向并逐一拘捕。叫人意外的是，抢匪供出案件背后的真正策划者，竟是一家建筑公司的老板陈信文（大鹏 饰）及其堂弟陈欣年（孙阳 饰）。 陈信文和陈欣年功败垂成，踏上逃亡之路，从此人间蒸发。时间一晃二十一年，当年的案件早已淡出大众的视野，王守月也从公安局退休。然而，一条寻常不过的视频上出现的一个模糊身影，却让他重燃破案的希望。王守月只身前往边境城市，寻找视频中的“陌生人”。最后的正邪对决，在二十一年后正式展开。
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梅根·福克斯,米凯莱·莫罗尼,玛德琳·奇玛,玛蒂尔达·弗思,裘德·格林斯坦,安德鲁·惠普,阿塔纳斯·斯雷布雷夫,玛纳尔·埃尔-费图里,安东尼·达维多夫,J·R·埃斯波西托,罗纳克·帕塔尼,特雷弗·范乌登,凯特·尼科尔斯,王可欣,德雷克·莫斯,莱斯·韦尔登,马克斯·克劳斯,艾登·霍莱特,尤安·迈克纳顿,沃利扎·比尼夫阴阳师0
山崎贤人,染谷将太,奈绪,安藤政信,村上虹郎,板垣李光人,国村隼,北村一辉,小林薰无名之町
福山雅治,有村架纯,成田凌,生田绘梨花,木村昴,森永悠希,秋山宽贵,犬饲贵丈,冈崎纱绘,森崎温,丸山智己,滨田麻里,伊藤淳史,生濑胜久,仲村亨看不见的爱人2025
钟熙,侯伟杰,陈彦霓万圣节传说
波波·斯图尔特,格蕾丝·菲普斯,奥斯丁·法尔克,阿德里安娜·巴比欧,凯尔·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格伦伯格,林·沙烨,约翰·兰迪斯,何塞·巴勃罗·坎蒂略,芭芭拉·克兰普顿,乔·丹特,亚当·格林,罗伯特·拉斯勒,诺阿·西甘,帕特·希利,斯图尔特·戈登,米克·加里斯,拉斐尔·乔丹,宝拉雅娜·麦金托什,詹姆斯·杜瓦尔,艾丽克斯·埃索,克里斯蒂娜·克莱伯,卡罗琳·威廉姆斯,达纳·古尔德判决2025
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等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
写在大地上的诗
兰岚,查岭该片是国家广播电视总局2024年度电视剧引导扶持专项资金和“深入生活、扎根人民”倾斜项目，通过诗人田地发现田间、走进历史、重写戎冠秀的故事，用诗歌去表达还原当时戎冠秀支援前线的历史，通过网络让观众熟知悉那段拥军，爱军的模范事迹。
异羽之鸟
贾亚士里,Mahadev Hadapad,Rekha Kudligi马诺哈拉·K在13岁时就凭借在影片《铁路少年》中的出色表演荣获印度国家电影奖最佳儿童演员奖。如今，二十出头的马诺哈拉初执导筒，将女作家索尼娅·S的获奖自传小说搬上银幕，讲述了一个白化病女孩的成长之路。片中，来自贫困家庭的索尼娅因为白化病在学校受到歧视和敌意，父亲置若罔闻、母亲有心但无力，她只能依靠自己。导演并没有向索尼娅投去同情目光，而是带着一定距离感去呈现她的处境，成功塑造了一个勇敢、乐天的女孩如何接纳自己并让白化病这个“缺点”成为特点。
疯狂天才
史宾塞·洛克,泰米娜·森尼,法兰·塔希尔,斯科特·麦克洛维茨,丽维·陈,克里斯·梅森,格本加·阿金纳格贝,brandon scott,klement tinaj,derek s. orr,nicole fahelA young mad genius attempts to 'hack the human mind' in order to fix humanity.
像我这样的爱情
廖子妤,陈家乐,刘雅丽,杨淇,刘若宝,林芷沿我们这样，是爱吗？阿妹天生患有脑性麻痹，性格却异常跳脱乐观，闲时会约朋友踩板吹水，画画作乐，二十多年来一直努力不被身体耽误。可是过度保护的母亲坚决安排她进行子宫切除手术，阿妹努力建立的生活再次失去平衡，她的身体永远是不由自主的。在朋友推荐下，阿妹找到了一个专为残疾人士提供性服务的自发组织，并认识了义工Ken。这无私的相遇仿佛抚慰了两个受伤的灵魂，那日渐累积的情愫冲淡了道德与身体的羁绊，这样的关系，是爱吗？ 谭惠贞继《以青春的名义》（第14届开幕电影）后第二部长片作品，将爱情元素和身障者性权益议题融合，成就一个道德探索与自我寻找的故事。