梦精爱
民友和妍珠恋爱多年，终于修成正果步入了婚姻的殿堂。漫长的时间消磨着两人对于彼此的激情与爱情，尽管仍然维持着表面的平和，但夫妻两人的婚姻显然已经名存实亡。多银是民友和妍珠共同的好友，一次偶然中，她目睹了妍珠同其他男人约会的场景，这让她和民友之间的距离越来越近。 一个是压抑苦闷的男人，一个是善良天真的女人，随着时间的推移，民友和多银最终还是越过了道德的底线，在翻云覆雨的一夜过后，民友却陷入了震惊之中，因为他发现，现在所发生的一切，竟然曾经在自己的梦境之中出现过。在两个女人之间徘徊的民友会做出怎样的抉择呢？
即刻观影
剧情赏析
编辑推荐
LAST MAN-全盲搜查官- FAKE／TRUTH
福山雅治,大泉洋,永濑廉,今田美樱,松尾谕,今井朋彦,奥智哉,木村多江,吉田羊,松本若菜,吉田钢太郎,向井康二全盲的FBI特別搜查官皆实广见（福山雅治 饰）被称为“终结一切案件的最后王牌”。他自日本研修返美后，警视厅搜查一课的护道心太朗（大泉洋 饰）前往美国受训，两人在华盛顿与纽约继续加深“无敌搭档”的默契。半年后心太朗归国，两人再次分隔两地。 2025年，皆实因电视节目回到日本，却遭遇电视台被全副武装的恐怖分子占领。他与主播播摩美咲（松本若菜 饰）、首相五之桥义实（吉田钢太郎 饰）等人被劫持，对方威胁若拿不出10亿美元赎金，将在东京引爆炸弹，引爆前所未有的危机。得知皆实被囚的心太朗火速赶往现场，却发现负责接待皆实的佐久良（吉田羊 饰）已隐藏在内部——一场跨国搭档再度携手的极限救援正式拉开序幕。
悲情枪手
周里京,何麟,高颖,潘婕,黄达亮,谈鹏飞,谭增卫,陈伟国故事发生在抗战时期的上海。天龙会首领肖洁荣（谈鹏飞 饰）委婉推辞日本陆军总部要其出任亲日同盟会长职务，隐退江湖。冷亦啸（周里京 饰）号称天龙会第一枪手，他抵制日本人的倒行逆施，暗中与肖洁荣的独生女肖岚（高颖 饰）相好。董浩然（何麟 饰）觊觎会长职位，又贪肖岚美色，他唆使肖洁荣把冷亦啸从天龙会中逐出。不久，肖岚委身董浩然，心灰意冷的冷亦啸在记者陈丽娜（潘婕 饰）推荐下，为他人做私人保镖。肖洁荣悔不该当初赶走冷亦啸，差肖岚相请遭拒。肖洁荣日后遭杀害，冷亦啸中伏击幸遇陈丽娜相救，他在激战中打死董浩然。在日本人为庆祝“螳螂计划”获得成功时，冷亦啸幽灵般出现......
宝塔镇河妖之诡墓龙棺
彭愚厶,曾妮,何其炜,王怡雯,郭野,周升清朝末年，城中百姓多数染上怪病。关心国家命运的禾苗希望张孝智助自己到水下地宫取得宝藏。但另有几方势力为了获得地宫宝藏展开了一场大乱斗。最终，众人发现所谓的宝藏根本子虚乌有。而导致盛京变成人间地狱的根源也非妖魔鬼怪，而是日本人人体试验的阴谋。 张孝智与禾苗、兄弟钱眼儿、弃暗投明的黑风双煞最终不计自身安危地准备解救盛京的危局……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大明嫔妃之离间
宋洋,朱一龙,何杜娟,关慧卿姚芊芊腹中的孩子即将足月，为了让大家相信孩子是太子的，郑贵妃命她带兰心去郊外寺庙进香，自己则安排手下装作歹徒袭击二人，让姚芊芊有理由“受惊早产”，并想伺机除掉兰心。谁知，姚芊芊真的受惊动了胎气，幸有兰心全力相助，这才九死一生，在途中产下一子。从此，姚芊芊视兰心为生死之交，王恭妃见状，却误以为兰心被郑贵妃收买。王恭妃明白梅儿和兰心情同手足，为防止梅儿随兰心一同倒戈，她开始用各种方式离间两人的关系 。 梅儿原是上官大人与歌女李月棠之女，实为兰心之妹。
致命围困
米莎·巴顿,黛博拉·卡拉·安格,卡梅隆·布莱特马里斯特拉扎被称为建筑界的艺术家和大师，他所设计的建筑被同行奉为典范。在某个，一幢马里斯特拉扎的代表作拔地而起，然而这里却发生了惨绝人寰的凶案。许多无辜之人被砌在墙壁中，浇筑水泥窒息而死，这幢大楼也从此废弃。 15年后，年轻美丽的女拆迁工程师萨曼莎（Mischa Barton 饰）自学校毕业，她从父亲手中得到拆毁那幢大楼的任务。萨曼莎独自一人前来，在这里认识了女管理员玛丽•苏特（Shannon Jardine 饰）和她的儿子吉米（Cameron Bright 饰）。从母子的口中，萨曼莎得知这幢大楼的一些禁忌，而在吉米的引导下，她逐渐发现这里阴暗的一面……