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剧情提要
一个从未被爱过的人提出的秘密建议这本能的离谱的相遇现在开始。贤珠因男友的突然分手而服用了一些安眠yao。她醒来后, 有人抚摸她, 并意识到她死了, 当她看到做金的死亡天使在她面前。她对她所做的事感到害怕和后悔, 所以她乞求她去做--金是死神的使者。金对她的火辣感到惊讶, 并为她提供了一个秘密交易..。
暗夜精选
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卡米尔·科坦,莫妮亚·乔柯里,朱丽叶·阿曼尼特,Manoã Varvat,Nina Birman,纪尧姆·谷伊,玛丽亚姆·阿赫迪欧,弗兰基·瓦拉赫,Tania Dessources,Camille Lethuillier,马克西姆·施邦古,Zoé Briau,Jean-François Hoche,Pauline Roux,阿丽亚娜·纳齐里,Zakariya Gouram,Anna-Marie Filippi,Zbigniew Jankowski,William Louis,Jean-René Stani勤杂工
大卫·斯佩德天堂孤影1986
马蒂·佩龙帕,卡蒂·奥廷宁,萨卡里·库斯曼嫩,埃斯科·尼卡里,Kylli Köngäs,佩卡·莱霍,Jukka-Pekka Palo,Svante Korkiakoski,Mari Rantasila,Safka Pekkonen,Antti Ortamo,马托·瓦尔托宁,Sakke Järvenpää,Ulla Kuosmanen,Neka Haapanen,阿基·考里斯马基我们的天空,我们的河
Mahmoud Abu Abbas,Myriam Abbas,达丽娜·阿尔·乔迪,Sami Al-Ali,Labwa Arab,Basim Hajar,Amed Hashimi,Muslem Hassoun,扎伊纳布·约达,Ali Kareem,Zaydun Khalaf,Kholod Mohamad,Suzan Muneam,Siham Mustafa,Badia Obaid,Kamaran Raoof,Karam Thamir恐怖列车
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逆转上半场
人生胜利组希文靠自己努力,打败99.9%香港人,却因误信朋友面临破产边缘。由深水湾搬到深水埗,势要在短时间内极速债务重组,一日未认输一日都未输!得知天真富二代正筹组足球联赛,刚好同房表妹闲时会在街场与几个小喽啰踢波追梦,有乜比基层追梦更追梦。当然一波会有三折,到底希文与五个小孩又会如何踢出精彩的一局呢?典型格局非典型救赎,久违的温情港产喜剧,笑声笑声满载温馨,注入我体内,大小演员个个卖力演出,演活擅打逆境波的港人故事。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster