茶花女
这是一部现实版的《茶花女》，片中将故事中的角色与历史上真实存在的人物（即茶花女的原型、艳冠巴黎的Alphonsine Plessis）贯穿在一起，上演了一出戏中戏。故事元素还是取材于原著，女主角（伊莎贝尔于佩尔 饰）原本是个贫苦的乡下姑娘，被父亲出卖后流浪到巴黎，凭着天生丽质过上了交际花的生活，被人称为是;茶花女最终因肺病发作而离开了人间。本片对原著做出的最大改编就是将原著作者小仲马的创作经历成为叙事的一条主线，与大仲马一同出现在故事中，爱上茶花女的年轻人;阿尔芒;也换成了小仲马本人。
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编辑推荐
巫咒
王楠楠,田诗雨,张瀚文,刘宇锋,姜景中,王倾,关鹏,刘頔,郭子恒,宋卓然影片讲述了万香山脚有个黑顶子村，村里住着谢家三兄弟。某年冬天特别寒冷，谢老二违背了祖训，偷偷进山采参，谁知回来后就神秘死去。村中人都认为谢老二是因为这是触怒了山神，“山神降下了诅咒”才离奇死亡⋯⋯
蜜恋合租
孙志强,徐海文,谢雨欣安诺轩辞高薪逐写作梦，26岁遭男友陈强出轨并贬其梦想，分手后陷窘境。闺蜜帮她招租，曾被她所救、暗恋她的苏梓桥借机合租。两人磨合中渐生情，虽因误会分开，安诺轩却知心意。苏梓桥助她入职，共退联姻对象华清泫，获苏母认可，婚后安诺轩写作终成。
逆转上半场
梁咏琪,陈湛文,凌文龙,梁雍婷,朱栢康,陈辉虹人生胜利组希文靠自己努力，打败99.9%香港人，却因误信朋友面临破产边缘。由深水湾搬到深水埗，势要在短时间内极速债务重组，一日未认输一日都未输！得知天真富二代正筹组足球联赛，刚好同房表妹闲时会在街场与几个小喽啰踢波追梦，有乜比基层追梦更追梦。当然一波会有三折，到底希文与五个小孩又会如何踢出精彩的一局呢？典型格局非典型救赎，久违的温情港产喜剧，笑声笑声满载温馨，注入我体内，大小演员个个卖力演出，演活擅打逆境波的港人故事。
塘鹅暗杀令
朱莉娅·罗伯茨,丹泽尔·华盛顿,山姆·夏普德,约翰·赫德,托尼·戈德温,詹姆斯·希金,威廉·阿瑟东,罗伯特·考普,斯坦利·图齐,休姆·克罗宁,约翰·利思戈,安东尼·希尔德,尼古拉斯·伍德森,斯坦利·安德森,约翰·芬两名高等法院的法官遭杀手谋杀，法学院高材生达比（朱莉娅•罗伯茨 Julia Roberts 饰）随后开始调查此案，起草一份该案的报告，名为《塘鹅报告》。达比找到了记者格兰（丹泽尔•华盛顿 Denzel Washington 饰），因为他是最后一名见到其中一名法官的人，希望能得到他的帮助调查此案。一天格兰接到了一个神秘人来电，此人自称知道谁是该案凶手，格兰跟踪到了此人，可惜未能拦下他。 此时，总统暗中命令相关人士不要插手此案。格兰由此起疑，随后调查到了总统和马氏集团关系密切，而且一切证据都表明，马氏与两位法官的死有着千丝万缕的关系！
大明嫔妃之选秀
何杜娟,关慧卿,思漩,陈一诺,王春妹,朱一龙皇太子争选太子妃，兰心本有所爱，却不得不进到太子府，因为才华出众，深得皇太子和纪淑妃的喜爱，兰心被嫉妒和排挤，在太子府里受尽磨难！ 其实一切阴谋都是秀女姚芊芊设计的，姚芊芊是万贵妃的人，自己参选秀女就是为了接近太子，协助万贵妃铲除太子，虽然她心中也另有所爱，但不得不去争选太子妃，铲除一切阻碍自己当上太子妃的秀女。 姚芊芊陷害兰心通奸，差点害的兰心被赐死，关键时刻兰心被梅儿所救。几日后公布太子妃人选之时，纪淑妃为了顾全大局，还是让姚芊芊当上了太子妃，姚芊芊十分痛苦内心挣扎，兰心、梅儿、金碧瑶当上侧妃，大家各怀念想……。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.