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父影之下
索佩·迪瑞苏,Godwin Egbo,Chibuike Marvelous Egbo,Efòn Wini,Tosin Adeyemi,Adesina McCoy Babalola,Lawrence Chu,Yetunde Coker,Akerele David,瓦莱·戴维斯,Patrick Diabuah,Paul Edobor,玛莎·厄赫诺梅,Adodo Emmanuel,Patrick Essien,Olarotimi Fakunle,Ikechukwu Gabriel,Fred Ideh,Ebuka雷米与阿金这对小哥俩，终得与疏离多年的父亲弗拉林共享难得一日。三人游走在初次相见的巨型都市拉各斯，少年窥见钢筋森林的奇观，亦目睹父亲谋生路上的重重难关。此刻整座城市正笼罩在1993年总统大选结果的巨大阴云之下，而父子三人的归家之路，竟也成了选票漩涡中飘摇的未知数。
开麦了吗？
威尔·阿奈特,布莱德利·库珀,塞伦·希德,劳拉·邓恩,艾米·塞德丽丝,西恩·海耶斯,克斯汀·埃伯索尔,斯万米·萨姆派奥,安德拉·戴,佩顿·曼宁,加布·法齐奥,迪伦·比克尔,乔丹·詹森,Scott Icenogle,汤姆·约翰逊,Chloe Radcliffe,德里克·盖恩斯,兰登·威尔森,Reggie Conquest,Seyler Fox经过多年的共同生活，亚历克斯和苔丝最终和平地结束了他们的婚姻，也由此开启了一个尴尬的阶段：他们开始摸索如何在各自独立生活的同时，抚养两个儿子，并维持彼此的友谊。亚历克斯发现了自己新的爱好，投身于喜剧表演之中，而苔丝则开始直面自己为家庭做出的牺牲。本片根据英国著名喜剧演员约翰·毕晓普的人生经历改编。
功夫机器侠之南拳
陈虎,王智《功夫机器侠》将中国功夫和科幻机械完美结合，加上好莱坞最强动作团队的打造，王智将大展身手，与好莱坞动作演员陈虎同框pk实力对撞。
利刃之刀锋战士
魏小欢,张博楠,马畅,刘冰讲述的是程岗所在的特警队在局长陈海安的运筹帷幄下，与黄赞为首的走私犯罪集团斗智斗勇，最后将犯罪分子一网打尽的故事。展现了以程岗、沈欣为代表的特警，为破获文物案和围剿犯罪分子所作出的牺牲和奉献。
偷心响叮当
奥利维亚·霍尔特,康纳·斯温德尔,彼得·塞拉菲诺威茨,露茜·彭奇,帕皮·德雷顿,艾德·基尔,詹姆斯·德莱顿,卡伦姆·西维耶,Diane Spencer,Alara-Star Khan,盖·罗宾斯,Elizabeth Bower,皮埃尔·伯格曼,Aylin Scott,斯图尔特·惠兰,Michael Salami,安娜贝尔·库塔伊,泰勒·沙利文,Belal Sabir,Brooke Henzell影片讲述了索菲亚（霍尔特饰）和尼克（斯温德尔斯饰）的故事，两个小偷发现他们正在追逐同一个目标——在圣诞夜抢劫伦敦最臭名昭著的百货公司之一。现在，他们不得不勉强联手，但随着彼此感情的加深，他们保守的秘密最终可能会危及他们的关系和这起抢劫案。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.