咸湿先生

讲述了17岁的女孩塔尼娅的故事。她计划在秋季入学前与朋友一起去欧洲度假。但是，她的妈妈决定去泰国参加一个健康疗养活动，因此塔尼娅不得不留在家里照顾她的兄弟姐妹。正如标题所示，当他们年迈的保姆意外去世时，塔尼娅找到了一份为一位雄心勃勃的女性工作的工作。在她努力平衡工作、家庭和复杂的爱情关系时，塔尼娅在失去最后一个自由的夏天的代价中，开始体验成人生活。

 在一家名为“自由伊甸园”的商店里。店员“苹果”、“樱桃”和“无花果”私下维持着一个神秘的女巫社团，而新入职店员“南瓜”的出现，开始让这份姐妹情谊遭受质疑。面对新人的挑战，这群各怀鬼胎的女性不得不直面潜藏心底的幽暗，冲突也随之演变成血腥的暴力。

　　获得第24届圣丹斯电影节剧情片类评委会大奖的《雷管》，讲述的是四位合作者出于兴趣发明了一台查错仪器，却意外地发现这台仪器拥有强大的商业价值，最终四人相互争斗的局面。《雷管》是导演什恩-卡鲁斯(ShaneCaruth)首次执导的剧情长片，该片由他自己投资，并身兼编剧、导演、主演数职，体现出独立电影的“DIY”精神。另外，令人津津乐道的是该片不足7000美元的超低制作成本，只相当于一辆富康车的价钱……

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.