黑暗时代之无证妓女

5.2 播放:94万 更新:2026-05-01

梁碧玉(张绮桐饰)误交损友阿莲,被阿威等人掳胁,拍下强奸过程,威胁玉往深圳当倡妓。玉的回母(罗兰饰)寻失踪孙女,在深圳遇上正真公安锋队长(尹扬明饰)。另一少女何少芬(陈颖妍饰)於潮州偷渡往香港,但不幸被禁锢当倡妓,并梁上毒癖。王国柱(回一君饰)是名大学生,为写有关妓女的论文往召妓,找上了阿芬,少芬求助於柱,国柱报警求助  

即刻观影

剧情赏析

梁碧玉(张绮桐饰)误交损友阿莲,被阿威等人掳胁,拍下强奸过程,威胁玉往深圳当倡妓。玉的回母(罗兰饰)寻失踪孙女,在深圳遇上正真公安锋队长(尹扬明饰)。另一少女何少芬(陈颖妍饰)於潮州偷渡往香港,但不幸被禁锢当倡妓,并梁上毒癖。王国柱(回一君饰)是名大学生,为写有关妓女的论文往召妓,找上了阿芬,少芬求助於柱,国柱报警求助  

编辑推荐

西区故事

安塞尔·艾尔高特,瑞秋·齐格勒,阿丽亚娜·德博斯,大卫·阿尔瓦雷茨,迈克·费斯特,寇瑞·斯托尔,布莱恩·达西·詹姆斯,丽塔·莫雷诺,寇蒂斯·库克,凯文·科索拉克,麦迪·齐格勒,朱利叶斯·卢比奥,杰米·哈里斯,阿蒂夫·拉尼尔,何塞·拉蒙·罗萨里奥,克丽丝·怀特赫德,凯尔·艾伦,塔莉娅·莱德,贝尔·迈克尔斯 ,哈维·埃文斯,戴维·比恩,凯尔·休斯,基思·勒克里德·哈里斯

 电影改编自1957年的百老汇音乐剧,讲述了20世纪50年代纽约街头的“喷气机帮(Jet)”和 “鲨鱼帮(Sharks)”之间的争斗,以及分属不同帮派的“苦命鸳鸯”托尼(安塞尔·埃尔格特 饰)和玛丽亚(瑞秋·齐格勒 饰)的爱情。

我是山姆

西恩·潘,达科塔·范宁,米歇尔·菲佛,黛安·韦斯特,洛雷塔·迪瓦恩,理查德·希夫,劳拉·邓恩

 在星巴克工作的山姆(西恩•潘 Sean Penn 饰),虽已成人,但智力水平只有7岁。一次偶然,他收留了一个流浪女。该女子帮山姆生下了一个女儿后消失得无影无踪。他给女儿取名叫露西(达科塔•范宁 Dakota Fanning 饰),因为他最喜欢甲壳虫乐队的《天空中戴钻石 的露西》。他非常疼爱自己的孩子。露西在山姆的细心呵护下慢慢地长大了,她发现爸爸不能看懂稍微复杂一些的故事。她在拒绝长大,希望和爸爸一样。父女俩的生活是那么幸福。地区的教育官员发现了这个特殊的家庭,他们认为山姆没有能力照顾露西,于是把露西带走了。伤心极了的山姆一心要挣回露西的抚养权,于是他自以为是的去找该地区最好的律师……

真犯

宋清晨,柳善,张赫镇,吴珉锡,郑海钧,韩秀妍,郑熙泰,申贤德,尹颂雅,张英,俊贤淑

  讲述的是受害者林宥贞的丈夫李英勋(宋清晨 饰)与嫌疑人金俊成的妻子郑多妍(柳善 饰)在最后一场判决前隐藏着对彼此的怀疑为找出真相而携手合作的故事。

别开门

徐立,曲少石,杨珑,刘著,刘金,曹禹澄,李鹤楠,赵洪纪,李昕芮,王昌,熊竞宇

  云南某小镇上的一家客栈,浪荡不羁的老板杨浩(曲少石 饰)与女服务员闹闹(曹蕾 饰)有染,还想方设法勾搭实习女服务生晓菲(徐立 饰)。柳经理看在眼里,忍气吞声。这一天,杨浩的发小蹦灯儿(李鹤楠 饰)海外留学归来。两个好朋友一个德行,都有着轻浮虚化的言行。为了给好友接风,杨浩召集柳经理、晓菲、闹闹、后厨的仙爷、华子、小胖等人大摆筵席。夜深人静,安静的小院内响起了阴冷清脆的高跟鞋声,接着一个披头散发的女人影影绰绰出现在各个角落。  心怀鬼胎的个人,将经历最恐怖的一夜……

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

怪形

库尔特·拉塞尔,威尔福德·布利姆雷,TK·卡特,大卫·科列侬,凯斯·大卫,理查德·戴萨特,查尔斯·哈拉汉,Peter Maloney,理查德·马苏尔,唐纳德·莫法特,乔尔·波利斯,托马斯沃特斯,诺伯特·魏塞尔,拉瑞·弗兰科,纳特·欧文,阿德里安娜·巴比欧,约翰·卡朋特,杰德

  1982年冬天,挪威科考队的一架直升机突然打破了南极大陆的平静,直升机疯狂的追逐一只雪橇犬,最后坠毁在美国科考营地的附近。美国科考队员对挪威考察队近期人员骤减的情况有所耳闻,于是飞行员麦克(Kurt Russell 饰)与众人赶赴挪威营地,结果看到的是一地破败中四处散落着奇怪的尸体,并有证据表明挪威人得到了某种冰封状态中的生物。医生布莱尔(Wilford Brimley 饰)研究了尸体的变异却无法破解成因。当晚,犬笼中的狗遭到袭击并发生了变异,一种不可知的生物正在这孤寂的南极大陆威胁着科考队员们的生命……  本片翻拍自1951年由霍华德•霍克斯指导的《The Thing From Another World》。