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灵魂摆渡之风华绝代
于毅,岳丽娜,何花,杨昆,倪虹洁,刘智扬盗墓大案
李丞峰,徐光宇,石兆琪,范雷,姜寒,要武,陈韵锦双龙出海
吴耀汉,叶德娴,惠英红邻居的窗
玛丽亚·迪齐亚,格雷格·凯勒,Juliana Canfield爱定你杀定你
塞西尔·德·弗朗斯,麦温,菲利普·纳翁,弗兰克·卡方,安德烈·芬蒂,瓦娜·佩利亚,Marco Claudiu Pascu,Jean-Claude de Goros,Bogdan Uritescu,加布里埃尔·斯巴修大佛回国
Philip Granger,Toshi Toda,宝田明,森田友希,Shelley Sweeney,久保明,Peggy Neal,Robert Scott Field,萤雪次朗,Francisco de Borja De la Bella,小林夕岐子,Inge Murata,Yoshiro Uchida,Ippei Ôsako,Norman England影视排行
日出1927
乔治·奥布莱恩,珍妮·盖诺,玛格丽特·利文斯顿,波蒂尔·罗辛,J·法瑞尔·麦克唐纳,Ralph Sipperly,简·维顿,阿瑟·豪斯曼,Eddie Boland,赫尔曼·宾 ,西德尼·布雷西,基诺·科拉多,Vondell Darr,萨利·艾勒斯,吉布森·格沃兰德,Fletcher Henderson,Thomas Jefferson,鲍勃·科特曼,F·W·茂瑙,Barry Norton,罗伯特·帕里什,Sally Phipps,坦普·皮戈特,Harry Semels,菲利普斯·斯莫利,李奥·怀特,Cla盛夏的度假时节，一位城市女人来到乡下滞留，这期间，城市女人诱惑了当地的农夫并教唆他杀死自己的妻子（Janet Gaynor 饰）以便贩卖掉农庄后私奔。被迷惑了心窍的男人早已忘记了那些同妻子共处的纯美时光，他将妻子带到河面蓄谋加害，却在要下毒手时幡然悔悟，伤心的妻子踏上了进城的列车，男人穷追不舍一同抵达城市。城市里真正是一片花花世界呵，这对夫妻在街上游走玩乐，在那些小小的玩笑中，甜蜜的冒险中，他们又找回了爱情的美妙共鸣……和好如初的两人返回乡村，不料却在归途遇上了肆虐的风浪……本片是德国导演茂瑙赴美发展后拍摄的第一部作品，曾被多家权威媒体评选为默片最佳杰作之一，获第一届奥斯卡最佳女演员、摄影等多项褒奖。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
星际叛将：欧西里斯之子
凯南·鲁兹,丹尼尔·麦克弗森,伊莎贝尔·卢卡斯,卢克·福特,瑞切尔·格里菲斯,特穆拉·莫里森,布伦·福斯特,杜文·史蒂文森,蒂根·克罗夫特,黄芝琪,费拉斯·迪拉尼,哈里·帕夫利迪斯,保罗·温彻斯特,佐伊·文图拉,布伦丹·克莱金故事背景设定在星际殖民的未来时代，神秘的漂泊者赛（凯南鲁兹饰）遇见了为地球外军事承包商艾克索工作的中尉肯恩（丹尼尔麦佛森饰），这对背景南辕北辙的搭档，必须在艾索克掀起的星球危机中，同心协力救出肯恩的小女儿，而为了理念背叛神通广大的艾索克的两人，除了必须面对天罗地网般的追捕，还得战胜游荡在荒芜星球上的野蛮生物。
抱得美人归
亚历克·鲍德温,金·贝辛格在二次世界大战后，即将结婚的花花公子开车到赌城作最后一次寻欢，不料邂逅了美丽的女歌手，并发现了她是赌城大亨巴格西的情妇。他该回到自己的规律生活中，还是继续追求这段冒险的爱情呢？名编剧家尼尔赛门由自己的爱情经历创作出本片，对男女之间的感情游戏有深刻的体会，所以剧情虽然简单，趣味性倒不弱。亚历克．鲍德温和金．贝辛格因拍摄本片而牵上红线，可见其演出投入。此外，金．贝辛格亲自主唱片中歌曲，颇有几分性感歌星的架势。