性喜剧

★ 4.4 播放:11万 更新:2026-04-28

别名:Sex Is Comedy 让娜(安娜帕里约 Anne Parillaud 饰)是一位对待艺术极为挑剔、严厉的女导演,由于资金有限,她有必要全权掌控电影的每一步。因而,片场的让娜宛如暴君通常,毫无情面地统治着整个剧组。可是,即使飞扬跋扈如此,让娜依然遇到史无前例的艰难。她正在拍照一部新片,其中有一场床戏却一直不行满足。男女主角(格雷戈尔科林_Gr eacute;goire Colin   罗珊娜 middot;马奎达 Roxane Mesquida 饰),互相憎恶,彼此看不顺眼,更别提表现出少许的纠缠爱意。对此让娜无计可施,由于她已和男主角坠入爱河,男主角仗着这层联系松懈自负,为所欲为,全然不惧让娜的威严。 电影的拍照寸步难行,这令让娜更加焦虑 

在线播放

剧情简介

别名:Sex Is Comedy 让娜(安娜帕里约 Anne Parillaud 饰)是一位对待艺术极为挑剔、严厉的女导演,由于资金有限,她有必要全权掌控电影的每一步。因而,片场的让娜宛如暴君通常,毫无情面地统治着整个剧组。可是,即使飞扬跋扈如此,让娜依然遇到史无前例的艰难。她正在拍照一部新片,其中有一场床戏却一直不行满足。男女主角(格雷戈尔科林_Gr eacute;goire Colin   罗珊娜 middot;马奎达 Roxane Mesquida 饰),互相憎恶,彼此看不顺眼,更别提表现出少许的纠缠爱意。对此让娜无计可施,由于她已和男主角坠入爱河,男主角仗着这层联系松懈自负,为所欲为,全然不惧让娜的威严。 电影的拍照寸步难行,这令让娜更加焦虑 

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名侦探柯南:独眼的残像

  “我想起来了……”沉睡的记忆与真相即将觉醒。  故事以长野县为舞台,高人气角色“长野三人组”大和敢助、诸伏高明、上原由衣将登场亮相。当毛利小五郎警视厅时期同事“鳄鱼”遭遇意外,与致使大和敢助“独眼”的神秘雪崩案交织,无法兑现的承诺和独眼中的残像就此重叠。雪花飞舞,真相与爱意终将明晰!这一次,毛利小五郎将不再沉睡,与柯南、大和敢助等人携手探案,亲手揭开掩埋于雪山之下的秘密与真相……

外出时刻

  罗兰·拉菲特([她])、艾玛纽尔·贝克特([我的国王])主演新片[外出时刻]( L’heure de la sortie,暂译)进入拍摄后期。本片由塞巴斯蒂安·马赫尼耶自编自导。故事讲述皮埃尔因一位年轻老师自杀,作为填补进入圣·约瑟夫学院工作。他很快发现这里青少年散发着一种敌意。本片预计8月2日杀青。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster