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开棺2025
陈可如,光俊甜心老爸
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罗比·阿梅尔,瑞切尔·泰勒,肖恩·本森,亚当·布切,坦图·卡丁诺,Gray Powell,Jacob Neayem,杰米斯皮尔切克误杀2019
肖央,谭卓,陈冲,姜皓文,秦沛,边天扬,许文姗,张熙然,施名帅,黄健玮,陈志朋,叶浏,谷洋,张林甜蜜与卑微
西恩·潘,萨曼莎·莫顿,Dan Moran,乌玛·瑟曼,Brian Markinson致命交友软件
Alyssa Lynch,Mitch Ainley,塔缇娜·阿里,Bethany Brown,戴博斯·霍华德,本·威尔金森,艾莉森·巴思,Matt Hamilton,Priya Margaret Kooner同类精选
火山下
威廉·莱维,玛吉.斯班多斯,阿德里亚娜·托雷维哈诺,法比奥拉·瓜哈尔多,伊利娅·盖尔拉,Pino Montesdeoca,Antón Lofer玉米地的小孩：大逃亡
玛茜·米勒,Molly Nikki Anderson,Blaine Maye,Lynn Andrews III,JR Hatchett,Mary Kathryn Bryant,Jake Ryan Scott,Sara Moore,Gavin Taylor,Debbi Tucker,Glenda Taylor,Cacky Poarch,Tom Allen,Tyler Corbin,Daria Balling,William Sturgeon巴黎谍影
约翰·特拉沃尔塔,乔纳森·莱斯·梅耶斯,卡夏·斯穆特尼亚克,梅丽莎·玛斯,Richard Durden,Bing Yin,艾波·罗丝·雷瓦,艾力克·高敦,François Bredon,Chems Dahmani,Sami Darr,Julien Hagnery,穆斯塔法·斯提提,丽贝卡·达扬,Michaël Vander-Meiren,Didier Constant童使
泷泽秀明,有冈大贵,门胁麦轻声告诉我
费尔南多·林德斯,安德斯·维伦科索,帕特里夏·维柯,西莉亚·费杰罗,Fernando Nagore,艾丽西娅·法尔科,Eve Ryan,Diego Vidales街尾之宅
詹妮弗·劳伦斯,伊丽莎白·苏,麦克斯·泰瑞奥,吉尔·贝罗斯,Eva Link,诺兰·杰拉德·冯克,艾莉·麦克唐纳影视排行
全境灾变
伊芙·詹姆斯 Eve James,坎农·史密斯 Kannon Smith,莱琳·麦克 Lelyn Mac在一场死亡率不是1%，而是98%左右的疫情之后，艾莉离开了她的街区，到了一个新的城市，在那里她遇到了奎恩，一个对新世界有独特生存之道的人。
角落小伙伴：天空王国与两位小伙伴
井之原快彦,本上真奈美故事舞台设于云上天空王国。当王子从天空王国坠入阴雨连绵的角落小镇，救助王子的角落小伙伴们得知云上世界陷入严重水危机，为拯救王国展开冒险。
喋血密令
李琦,马心怡,徐箭,孙学增,来钰明正德年间，禁卫百户耿烈因钦差被杀贬为捕头。此时宁昌府发生连串命案，波及宁王寿宴，耿烈奉命追查。为宁王献画富商被毒杀，刺杀钦差的女杀手再次出现，这一切让耿烈意识到宁昌府酝酿的风暴，将会改变大明的朝局。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.