我是爸爸的女人

最美的岛屿

安娜·阿森西奥,娜塔莎·罗曼诺娃,卡普里切·贝内德蒂,阿米·谢斯,米丽亚姆·A·海曼,萨拉·葳瑟,尼古拉斯·图齐,拉瑞·凡斯登,安娜·迈,戴维·利特尔,娜塔莉亚·兹韦列娃,索里卡·沃尔夫,费内拉·A·丘多巴,布雷特·阿扎尔,奥若拉·汉姆巴赫,玢·罗宾斯,迈克尔·文森特

　　本片根据真实事件改变. 俄罗斯美女露西亚娜入境纽约后, 濒于生活崩溃的边缘, 除了保姆的工作之外, 她还得担任另一份危险的工作: 脱光后, 与世界最具有毒性的蜘蛛共处一隅....

斗争之日

杨子英,拉迪卡·艾普特,纳威恩·安德利维斯,梁振邦,托比·华莱士,席亚拉·博拉沃,Marny Kennedy,克莱尔·普莱斯,奥拉米德·坎迪德-约翰逊,Dieudonné Ngabo,Samson Coulter,阿什·亚斯本切克,Ali Fardi,Ash Barba

　　26岁的约翰·艾伦·周决心完成自己的人生使命，他踏上了一场横跨全球的危险征程，试图让北森蒂纳尔岛那些与世隔绝的部落族人皈依基督教。与此同时，安达曼群岛的一名警探正争分夺秒地想要阻止他，以防他对自己或这个部落造成伤害。　　影片改编自真实故事。

正义联盟：无限地球危机（中）

詹森·阿克斯,斯坦娜·卡蒂克,吉米·辛普森,吉第安·艾朵,卢·戴蒙德·菲利普斯,詹妮弗·黑尔,特洛伊·贝克,阿尔迪斯·霍吉,威尔·弗里德尔,梅格·唐纳利,岑勇康,马特·兰特尔,达伦·克里斯,连姆·麦肯泰尔,艾托·艾桑多,吉奥弗瑞·阿伦德,杰米·格雷·海德,凯沙·夏普,马特·瑞安,乔纳森·亚当斯

　　PG-13　　An endless army of shadow demons bent on the destruction of all reality swarms over our world and all parallel Earths. The only thing opposing them is the mightiest team of metahumans ever assembled. But not even the combined power of Superman, Batman, Wonder Woman, Green Lantern and all their fellow superheroes can slow down the onslaught of this invincible horde. What mysterious force is driving them? And how do the long-buried secrets of the Monitor and Supergirl threaten to crush our last defense?

龙口走蛟

备案单位爱奇艺影业(重庆)有限公司 　　梗概：龙口镇近来怪事不断，外乡人青云子和张不平游历至此，意外卷入神秘事件当中，他们最终揭开真相，守护了龙口镇的安宁。

鬼三惊3

沃拉甘·罗娜瓦查拉,Akarin Akaranitimaytharatt,Passornkorn Chirativat,缇拉娜·友萨奴,Nutjaree Horvejkul,Numchok Thanatram,Natee Aekwijit,沪瓦隆·威伍飒,Sara Holher,Worachart Thumwijin

　　高速公路：琵姆是高速公路收费站夜班收费员。凌晨三点钟在她当值的时候，一股邪恶力量正在威胁她的生命。 一夜情：谭是一个绘画修复者，喜欢参加各种派对和夜店。一天，谭遇见了一个神秘、性感的女人娜潘，并对她一见钟情。第二天凌晨三点钟，他找到娜潘并跟随她到她家。这个女人究竟是谁？ 电视直销：山姆是一档电视购物节目的导演。他的组员和主持人打算合伙捉弄他。他们密谋了一系列奇异的事件，想要报复一下这个自大的导演。凌晨三点钟，导演助理欧接到了山姆女朋友的电话，她打电话来是告诉他，山姆在来电视台的路上出车祸死了。欧试图把这个消息告诉组员们，但是没人相信他的话。这时，所有灯瞬间熄灭，恶作剧开始了……

阿尔玛与狼

伊桑·恩布里,李丽君,马瑟·泽科尔,Alexandra Doke,杰雷米·哈里斯,Beth Malone,达娜·米利肯,Kevin Allison,Lukas Jann

　　以俄勒冈州海岸为背景，陷入困境的警官伦·阿科德调查一起神秘的狼袭击事件。当他关系疏远的儿子在案件中失踪时，事情严重起来。

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster