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犯罪现场调查完结篇：不朽
特德·丹森,乔雅·福克斯,艾瑞克·兹曼达,罗伯特·大卫·豪尔,华莱士·朗翰,大卫·伯曼,伊莉莎白·哈诺伊斯,乔·维尔内尔,威廉·彼德森,玛格·海根柏格,保罗·吉尔福伊尔,迈克尔·比奇,布瑞达·伍尔,凯蒂·史蒂文斯,Alexandra Barreto黑暗之中
娜塔莉·多默尔,艾米丽·拉塔科斯基,艾德·斯克林,乔莉·理查德森,詹姆斯·科兹莫,尼尔·马斯克尔,安珀·安德森,扬·贝弗特,贝恩·科拉科,莱克茜·本博-哈特,金·阿迪斯,丹尼尔·厄根,Chelsea O'Connor,雷纳斯·拉特科夫斯基,奥莱加·费多罗看不见的女儿
阿登·杨,茱莉亚·莎拉·斯通,Camille Sullivan谎岛美人鱼
温碧霞,禾浩辰,归亚蕾,庹宗华,董至成,刘国劭,雷艾美,吴大维,黄诗棋祝你好运2024
亚历山德拉·达达里奥,柯瑞·福格尔玛尼斯,迈尔斯·古铁雷斯-赖利,科尔·斯普罗斯,莉娜·邓纳姆,艾米·兰德克,莱克西·安德伍德,丽莎·山田,贾德森·米尔斯,布莱恩·迈克尔·史密斯不离不弃2026
张芷溪,初俊辰,沈晓海,黄俊鹏,杨青倩同类推荐
特种部队:毁尸灭尽
Kevin Tanski,Robert Woodley,Chris Clark,Will Mutka,Mike Sarcinelli,Kahley Cuff,Rick Primerano,Patrick Mallette,Salvatore Sabia,Gary Sundown,Daniel James,Artimus Pyle,Ashlee Amoia,Aleksandar Ivicic,Darrin StockFive Spec Ops, Alpha Squad, head a simple Recon Mission that turns into an all out war for survival against a wave of undead experiments. Alpha Squad must fight, not just for the sake of their own survival, but the fate of the world.
惊魂记1960
安东尼·博金斯,维拉·迈尔斯,约翰·加文,珍妮特·利,马丁·鲍尔萨姆,约翰·麦克因泰,西蒙·奥克兰,弗兰克·艾伯森,帕特里夏·希区柯克,沃恩·泰勒,卢伦·塔特尔,约翰·安德森,莫特·米尔斯,吉特·卡森,维吉尼亚·格雷格,阿尔弗雷德·希区柯克,珍妮特·诺兰,罗伯特·奥斯本,海伦·华莱士,Fletcher Allen,沃尔特·培根,弗朗西斯·德塞尔斯,乔治·多克斯塔德,乔治·埃尔德雷奇,哈珀·弗莱厄蒂,萨姆·弗林特,弗兰克·基尔蒙德,泰德·奈特,帕特·麦卡弗里,汉斯-乔基姆·默比斯,弗雷德·谢威勒年轻的马里恩·克兰（珍妮特·利 饰）在Phoenix工作，深受老板洛厄里（沃恩·泰勒 饰）信任。男友萨姆·卢米斯（约翰·加文 饰）在Fairvale经营一家五金店，因要替亡父还债又要支付前妻赡养费而无力再婚，只能借出差的机会偶尔来与马里恩幽会。马里恩对此感到不满，于是在周五下午趁机携四万美元公款驾车潜逃。可是马里恩的潜逃之路并不顺利：先是在出城的时候被洛厄里目击，周六一大早又被警察怀疑。花了七百美元以旧车换新车之后，马里恩继续忐忑地行驶。入夜后，天降大雨，视线模糊，无法行驶，马里恩只得将车泊入路边的贝茨汽车旅馆投宿。老板诺尔曼（安东尼·珀金斯 饰）十分友善，试图邀请马里恩到家里共进晚餐，可惜被凶恶的母亲粗暴阻止，只得将晚餐端至旅馆客厅。马里恩在客厅一边进餐一边与诺尔曼交谈，终于决定周日返回Phoenix。用餐完毕，马里恩回房沐浴。这时，一个老妇的身影突然出现在卫生间……
别怕，是我
凯拉·赞德尔十五年前，莉茲的前男友德魯因搶劫銀行而被捕。如今，德魯突然出現在她家後院，請求她讓自己暫時藏匿。莉茲竟答應幫忙，但前提是要她老公不在家。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
壮志千秋
理查德·迪克斯,艾琳·邓恩,埃斯特尔·泰勒,南斯·奥尼尔故事发生在美国西部大开发时期，燕西（理查德·迪克斯 Richard Dix 饰）带着妻子莎布拉（艾琳·邓恩 Irene Dunne 饰）千里昭昭来到了广袤而又荒芜的俄克纳马拉，心里怀揣着远大的理想，希望能够在这里做出一番建树。俄克纳马拉的生活环境十分艰苦和险峻，然而，夫妻两人同心协力，慢慢改善和建立着他们的家园。在日子渐渐稳定的过程中，在当地生活的牧场主们感到他们的利益受到了侵犯，他们常常会找燕西的麻烦，却又被燕西用智慧巧妙的化解。燕西十分同情在当地生活的印第安土著，与此同时，嫉恶如仇的燕西亦对压迫和剥削原住民的资本家们充满了仇恨，随着时间的推移，双方的矛盾渐渐尖锐起来。