剧情纵览
阿比娜和三个想要她的男人纠缠在一起:暂无内容她的追求者,她的前男友和她的老板。但还有一个人想控制她把她变成一个性怪物。
阿比娜和三个想要她的男人纠缠在一起:暂无内容她的追求者,她的前男友和她的老板。但还有一个人想控制她把她变成一个性怪物。
影片以 1999 年西南边境为背景,聚焦森林公安的热血使命,讲述了森林公安刘钊(王天野 饰)、老赵(景岗山 饰)、王磊(任恺 饰)三人,在一次常规巡山中,意外撞破境外日本间谍头目昂山・介德(三浦研一 饰)带领的境外团伙 窃取我国NSSU血清提取样本机密,暴力劫狱潜逃后,妄图翻越大亮山穿越国境线。从平静巡山到直面穷凶极恶的匪徒,三名森林公安义无反顾开启阻击战,用血肉之躯筑起国境线上的钢铁防线,与身负窃密、贩毒、谋杀多重罪行的犯罪团伙展开一场生死博弈的硬核警匪大战!
Katrine Ries Jensen警探和法律神经病专家托马斯·谢弗正在哥本哈根警局组建了一个连环杀人案调查小组。随着调查的深入,慢慢隐现了一个与谢弗过去处理过的一个案子有关。作为初出茅庐的神经病专家,他曾经送回一个病人去往精神病医院,因为他能把一个交通事变的细节绘声绘色的描绘出来。现在这些血腥的描绘一个个闪现出来,翻开了一个个真正在的命案……
一场车祸夺去了父母的性命,年幼的奥斯卡和妹妹琳达发誓永不分开。成年后,奥斯卡(Nathaniel Brown 饰)漂泊来至东京,为了实现童年的誓言,他以兜售毒品赚取钱财,终于为琳达(Paz de la Huerta 饰)挣得了飞来东京的机票。兄妹相遇,却终是随波逐流的个体。在这个繁花乱坠迷人眼的大都会,奥斯卡继续进行毒品交易,而琳达则在一家夜总会大跳艳舞。在一次交易时,奥斯卡遭到警察围捕,混乱中更被枪击身亡。他的意识渐渐脱离肉体,穿梭在东京的大街小巷,关注跟随每一个在他生命中留下痕迹的人,等待着下一场不知何时才会开始的轮回…… 本片荣获2009年Sitges – Catalonian国际电影节最佳摄影奖和评委会特别奖。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster