母娘监禁

　　机械厂钳工莫得闲（肖战 饰）拖家带口随逃难队伍躲进山区，与被大部队遗忘的防空炮长肖衍（彭昱畅 饰）及手下在“戈止镇”落脚。然而，莫得闲和妻子夏橙（周依然 饰）、老太爷（杨新鸣 饰）以及儿子莫等闲（严知度 饰）的平静生活因为一小队日本侦察兵的意外到来被打破。全镇百姓不忍不退，拼死守护家园，一场民间智慧对抗正规武装的殊死较量轰然展开。

　　经历了最可怕的一段过去，可奈（大岛优子 饰）已经精神接近崩溃，残酷命运的安排，让她最终也无法逃脱半身死灵“嗒卡嗒卡”的猎杀。路过事故现场的水谷菜月和中岛玲子是就读同一所高中同一班级的好友，她们的学校即将举行文化祭。担任文化祭委员的玲子无意中触怒了班内小集团的头头刀根绘梨香，由此遭受了无休无止的孤立和欺凌。菜月看在眼里，却不敢组织，只能随波逐流。终于有一天，再也无法忍受的玲子将希望寄托在半身死灵身上，她将与绘梨香亲近的同学相继骗到人行天桥，目睹她们被猎杀的残忍一幕。　　菜月终于发现了好友的秘密，她尝试阻止，并且了解到半身死灵的背景和不为人知的过去，可是为时已晚……

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　当10个年轻人去探索一家废弃的比萨店时，他们很快就知道，他们将不得不为自己的生命而战，同时试图揭开比萨店令人不安的历史。