毁灭之屋传奇

韩国制造的我

一位来自泰米尔纳德邦小镇的女子移居梦寐以求的韩国，却难以在异国他乡站稳脚跟。

你好弗里达

　　影片生动展现了墨西哥传奇女画家弗里达·卡罗的童年生活。好奇心旺盛的弗里达整天和妹妹玩耍，和邻居家的狗做朋友，爬树，在小镇上奔跑，当她拥有人生中的第一本笔记本，就迫不及待的上面涂满色彩斑斓的图画和想法。小儿麻痹症让她卧床不起，但小弗里达毫不退缩，一旦康复，她就会重返街头，展现她旺盛的生命力。

A-1头条

　　记者玲（李心洁饰）的男友Peter获得一宗刑事案件的新闻线报，前去取证途中突然遭遇交通事故意外身亡。玲觉得事有蹊跷，调查后发现一宗模特命案。女模特Helen裸死于家中浴缸，富豪之子张承志没有不在场证据，但事件竟被警方低调处理，张承志的相关证据也被消除。玲为不愿男友枉死，誓要调查出事件真相，但报社总编辑曾达时（梁家辉饰）却不愿为玲伸出援手。无奈之下，玲只好求助常常被追债的飞(黄秋生饰)与马仔(葛民灰)帮助她调查真相。飞原来是警察出身，在调查中，他发现Peter的死因确有蹊跷。随着调查的进行，黑暗中的黑手不断想将玲置于死地，究竟事件的真相能否登上报纸的A1头条？真相与言论自由的赛跑，在香港的午夜开始。

库梅尔·南贾尼：夜间思绪

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster