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无惧之爱
协塔朋·平朋,翁韦德·答奴翁,安苏玛琳·瑟拉帕萨默莎,卡维·丹扎拉岚,索姆查·肯格拉,เกียรติศักดิ์ อุดมนาค当他们假装还爱着对方的时候，YouTube上的“丁”和“宝石”情侣?在正式分手前，这对夫妇为了最后一篇内容而放弃了钻石戒指的主要制造商。直到我遇到了一位著名的“完美”生活教练，他利用孩子作为谋生手段，并打算从妻子那里获得监护权，他们三个别无选择，只能互相帮助来完成这次营救任务。当车开走的时候，突然，这个可怕的神秘人从黑暗中冒了出来，导致他的车出了事故，无法继续前进，他自告奋勇地把这三个人带到一个偏远的玉米地的废弃房子里过夜。面对“Mahathirachai”，一个邪恶的鬼魂，包括房子里的居民，他们既看不见，也看不见。起初，他们认为这所房子里的鬼故事都是由幻象引起的，但当他们发现每个人都和一个来自前国家的鬼魂有关时，他们花了几百年的时间想要从他们那里得到一些东西!
铁甲无敌玛利亚
梁朝伟,叶倩文,徐克,林正英,岑建勋,陈国新,林国斌,秦沛太阳党是一个恐怖组织，其首领救世主（林国斌 饰）善于开发战争机器人，他和女友玛利亚（叶倩文 饰）经常利用自己开发的机器人“先锋一号”大肆破坏。由于“先锋一号”威力强大，警方也常常束手无策。小徐原是英雄党的一分子，后来对自己团伙的所作所为深感不满而在师傅的担保下脱离了该组织。一次小徐在酒吧偶遇了专为警方开发战争机器人的专家阿毛（岑建勋 饰），两人一见如故，成为了好朋友。岂料太阳党因此怀疑小徐出卖了自己，因此派出新研制的机器人——外形和玛利亚一模一样的“先锋二号”追杀小徐；更糟糕的是，警方亦因此怀疑阿毛出卖了政府，因而同时派人前来捉捕他们。一对好兄弟，能否逃出生天？
鬼屋脱身
Jaclyn Betham,丝柯·泰勒-考普顿,兰德里·阿尔伯特,莱恩·托冉,Noah Lowdermilk,Jamil Walker Smith,Lane Caudell,Ben Deschaine,Chrystopher Ryan Johnson,Kynsleigh Queen,Liz Zwiebel一个年轻女子被一个背木邪教绑架和她的报复。
第六日
阿诺·施瓦辛格,迈克尔·拉帕波特,托尼·戈德温,迈克尔·鲁克,莎拉·温特,罗伯特·杜瓦尔克隆技术在不远的未来有了长足的进步，但复制人仍是法理上不可逾越的禁区，政府通过《第六天法》严格禁止克隆人。 飞行员亚当（Arnold Schwarzenegger 饰）拥有幸福的家庭，他出于本能的厌恶那些违背自然规律的基因技术。亚当平时的工作是和搭档送游客上雪峰，这天他们为宠物克隆公司的老板恰克（Tony Goldwyn 饰）服务，搭档顶替亚当驾驶却发生了意外……回到家中的亚当发现居然有一个克隆人顶替了自己的位置参加他的生日宴，莫名惊恐之下他又被来路不明的杀手追杀，他很快明白自己成为了宠物克隆公司的人类复制试验品，做为母体，他面临被消灭的危险。 在逃亡的过程中亚当与暴力反对克隆人计划的组织合作，成功潜入宠物克隆公司，并控制了克隆人技术的负责人威尔博士……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
机动战士高达闪光的哈萨维
小野贤章,上田丽奈,诹访部顺一,齐藤壮马,津田健次郎,石川由依,落合福嗣,武内骏辅,早见沙织,松冈美里,泽城千春,宫崎游,天崎滉平,绵贯龙之介,田中光,草野峻平,种崎敦美,新祐树,绫见有纪,鹫见昂大,尼古拉·法莱那泽,越后屋浩介,藤高智大,Volcano太田,川口启史,田村千惠,井川秀荣,吉富英治,木曾宽子,佐佐木祐介,吉田健司,高桥雏子,高桥大辅,泷村直树,福西胜也,佐伯美由纪,本多新也,木野日菜,内田绅一郎,樱冈敦子,地藏堂武大,川上洋平,矶部宽之,白井真辉,ASHLEY,JAMES,SAYAKA,山本作以哈萨维为主角，采取三部曲的形式，讲述“逆袭的夏亚”之后的故事。