贪得无厌的人们
一次偶然中,玛丽(波琳艾克阿特 Pauline Acquart 饰)遇见了花样游泳队的队长弗洛利亚那(阿黛拉 哈内尔 Adele Haenel 饰),弗洛利亚那的性感和美丽很快就吸引了玛丽的目光,然而,在传闻中,弗洛利亚那却并不如表面看来的那么纯洁和美好。随着时间的推移,玛丽渐渐发现传闻的虚假,与此同时,她深深地迷恋上了弗洛利亚那,已经到了无法自拔的境地。 安妮(露易丝巴彻雷 Louise Blach egrave;re 饰)是玛丽的好友,在玛丽为弗洛利亚那痴狂的那段日子里,她却偷偷喜欢上了弗洛利亚那的男友弗朗西斯(沃伦 ;杰坤 Warren Jacquin 饰)。可是,安妮知道自己长得并不漂亮,于是决定将这份感情埋藏在心底。
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伊桑·霍克,艾玛·沃森,大卫·休里斯,戴文·博斯蒂克,戴尔·迪奇,艾伦·阿什莫,亚当·布切,大卫·丹席克,阿隆·艾布拉姆斯,罗泰尔·布鲁特,彼得·麦克内尔我的老婆是明星
周柏豪 ,刘心悠,林德信,蔡洁,蒋志光,李尚正,郭伟亮,叶佩雯,朱薰,李日朗,杜德伟,连诗雅,卢海鹏,林盛斌,邵美琪,车婉婉,庄锶敏,田启文,赵硕之,古天祥,符晓薇,黄文慧,余慕莲,王晓君,李润庭,可宜落叶球
David Koberidze,Otar Nijaradze诅咒:纳扎尔
Alp Aras,Elçin Atamgüç,Melike Balçik童煞惊魂岛
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米纳里
史蒂文·元,韩艺璃,达里尔·考克斯,威尔·帕顿,尹汝贞,蒂娜·帕克,斯科特·黑兹,艾伦·S·金,Laurie Cummings,埃里克·斯达克,Esther Moon,Ben Hall,Noel Cho,Chloe Lee,James Carroll,Jacob M Wade,Jenny Phagan诸葛四郎-大战魔鬼党
王辰驊,蔣鐵城,王希华逆转上半场
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Alexandra Lesch,Kristiana Rohder,Lara Baum影视排行
昆池岩
魏嘏隽,朴智贤,吴雅妍,文艺媛,朴成焄,柳济允,李承旭原名南营神经精神医院的昆池岩精神病院,最早建立于20世纪60年代。在特殊的时代它曾经历了无比的辉煌,然而更为人熟知的则是该医院身上所发生的各类恐怖事件。现如今,早已废弃的昆池岩医院被CNN票选为全球七大恐怖之地之一,更由此吸引无数寻求刺激的青年男女来此探险。三个月前,两名青少年来此探险,结果在直播中遭遇诡异事件,下落不明。此后,《恐怖世代》剧组在魏河俊的召集下,网罗了吴雅妍、朴智贤、夏洛特(文艺媛 饰)、李丞旭、朴成勋、刘帝允等人前往昆池岩,更试图打开备受诅咒的402室。 夜幕降临,全球网友一道观看这场恐怖盛宴……
正义的子弹
丹尼·特雷霍,Timur Turisbekov,Doroteya Toleva,雅娜·梅里诺娃,Semir Alkadi,Neli Andonova,Dinko Angelov,Gergana Arolska,Ester Chardaklieva,Svetlio Chernev,Dara Kandi,Dumisani Karamanski,Vei Fan Li,Alexander Ralfietta,Dessy Slavova在第三次世界大战期间,美国政府发起了一个秘密的项目代号为“陆军培根”,以创造超级士兵近交人与猪。25年后,一种叫做“枪口”已经占据食物链的顶端,吃和人类饲养动物一样。罗布正义是一个前赏金猎人工作的最后一行人类抵抗-一组幸存者躲藏在核掩体深处地下。他的任务是找出枪口上台并消灭他们。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
男孩2026
赵炳奎,柳仁秀,崔允珍,徐仁国讲述了住在虚构城市波古市的罗汉、他的哥哥乔汉和刚搬进得克萨斯州一家水疗中心的故事,该水疗中心的老板是一位不可预知的邻居。