剧情简介
三个香港夜总会女郎去泰国游玩，在夜总会饮醉与夜总会看场发生争吵，在街外被打，遇到香港来的三个男人协助，将打手打退，再去夜店宵夜饮酒，回酒店后发生性关系。原来，这三个男人是来贩毒的，将一包毒品交给她们，后来三个男人在一次交易中打死了对方。三位女仕刚巧去找他们，被警方误以为是毒贩之同党，并将她们拘捕……
为你推荐
阿坎达2
巴拉克利须那,哈莎莉·马洛特拉,Samyuktha Menon一段温馨的旅程探索了儿童的纯真、自然世界和精神信仰之间的联系，因为社区正在努力取得进步。 بۇ كىنودا كىشىلەرنىڭ ئۈمىدى نابۇت بولغاندا ئاكاندا پەيدا بولىدۇ، ئۇ ئائىلىسىدىكىلەر ۋە ئەتراپىدىكىلەرنى قۇتقۇزۇپلا قالماي، يەنە قارا نىيەتلەرنى يوقاتقاندىن كېيىن يوشۇرۇن تۇرمۇش كەچۈرىدۇ. ئۇزۇن يىللاردىن كېيىن، دۇنيا يەنە بىر قېتىم خەۋپ ئىچىدە قالىدۇ، بۇ قېتىم ئاكاندا پۈتۈن كۈچىنى كۆرسەتمىسە بولمايتتى... ئاكاندا يەنە بىر قېتىم كىشىلەرنى قۇتقۇزۇپ قالالامدۇ؟ ئۇ بۇ قېتىم قانداق خەۋپكە دۇچ كېلىدۇ؟
玛丽和麦克斯
托妮·科莱特,菲利普·塞默·霍夫曼,巴瑞·哈姆弗莱斯,艾瑞克·巴纳,贝塔尼·维特莫尔,蕾妮·盖耶,伊恩·莫利·梅尔德伦,朱莉·福塞斯,约翰·弗劳思,克里斯托弗·马西,卡罗琳·莎士比亚-艾伦,琳恩·史密斯,迈克尔·延纳1976年，8岁的玛丽·黛西·丁格尔（贝丝妮·惠特摩尔 Bethany Whitmore 配音）是澳大利亚墨尔本的一个小女孩，喜欢动画片“诺布利特”、甜炼乳和巧克力。玛丽的妈妈是个酒鬼，而在茶叶包装厂工作的父亲平日只喜欢制作鸟标本。孤独的玛丽没有朋友，某一天心血来潮给美国纽约市的马克思·杰瑞·霍罗威茨（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 配音）写了一封信询问美国小孩从哪里来，并附上一根樱桃巧克力棒。44岁的马克思患有自闭症及肥胖，碰巧也喜欢看“诺布利特”动画片及吃巧克力。二人的笔友关系从1976年维持到1994年，期间各自经历了许多人生起伏，直到成年的玛丽（托妮·科莱特 Toni Collette 配音）终于来到纽约看望马克思……本片获2009年法国昂锡国际动画影展最佳动画长片奖，柏林国际电影节水晶熊奖及渥太华国际动画电影节最高奖。
百年好合
郑秀文,古天乐,李冰冰,林雪,韩君婷,张锦程,夏雨,颜颖思富豪洪飞虎（古天乐 饰）因怪病找到峨嵋派掌门王凤（郑秀文 饰），她对飞虎的生性傲慢毫无好感，于是用尽各种奇怪的方法治疗飞虎。王凤的师姐李莫愁（李冰冰 饰）突然出现，并扬言要铲除峨嵋派。未免伤及无辜，王凤尽快医好了飞虎。知道了王凤的恶作剧之后，飞虎愤然离开了。 为了与师姐决战，王凤急需练好“伤心断肠剑”，但从未经历伤心之苦的她 无法领悟“百年好合”这一招式的要领，王凤在众人的劝说下决定求助与飞虎。飞虎不计前嫌，用尽办法让王凤伤心，练好招式。王凤又能否成功？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
于特岛7月22日
安德烈·伯恩森,亚历山德·霍尔门,布瑞德·福里斯达,艾丽·瑞亚侬·穆勒·奥斯本,苏陆士·萨达特,马格努斯·莫恩,张特兰在2011年的7月21日那天，650个年轻人正在于特岛上参加夏令营，他们刚刚得知一个令人震惊的消息，奥斯陆的一座政府大楼被一个全副武装的右翼激进份子炸毁，接着激进分子就来到了于特岛。影片将跟随一名叫卡佳（Kaja）的小女孩，在听到了激进分子的第一声枪响后，令人窒息的72分钟生存挣扎。影片根据真实事件改编，于特岛惨案是自第二次世界大战以来全球最严重的单人犯罪枪击案。
血屋之谜
莎菲拉是一名冉冉升起的新秀主持人，她有机会主持《Percaya Ngga Percaya》的重拍版。在研究旧录像时，她发现了一盘未播出的录像带，上面写着“Rumah Darah”，这导致令人不安的超自然事件威胁到她的生命。在调查 Rumah Darah 背后的秘密时，她发现了过去的黑暗秘密，这些秘密使她的灵魂处于危险之中。
佐藤妻夫物语
岸井雪乃,宫泽冰鱼,藤原樱,三浦獠太,田村健太郎,前原滉,山本浩司,八木亚希子,中岛步,佐佐木希,田岛令子,柳原晴郎佐藤保和佐藤幸性格截然不同却莫名投缘，一路从相识交往走到结婚生子。保曾多次参加司法考试却屡屡落榜，没想到陪他备考的幸却先通过了考试，成为了职业律师。一边是邋遢的律师妻子，一边是被育儿压得喘不过气的落榜丈夫——这对夫妻之间维持着微妙的平衡，在欢笑与心酸中勾勒出一段真实的爱情故事。本片主演为凭借《惠子，凝视》获得第77届每日电影最佳女主角的岸井雪乃，以及凭借《利己主义者》获得第78届每日电影最佳男配角的宫泽冰鱼。两人的默契演绎为影片注入真实的情感张力，折射出现代社会中人与人之间的沟通困境，探讨了人们与“他人”之间的理解与妥协。