无限恶女 红色房间

⭐ 0.8 播放:60万 2026-04-26

姉・彩(清水楓)の婚約者への思慕、そして完璧な姉への嫉妬心……。ある日、双子の妹・楓(清水楓・二役)は彩を殺害して姉になりすますのだが……

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剧情提要

姉・彩(清水楓)の婚約者への思慕、そして完璧な姉への嫉妬心……。ある日、双子の妹・楓(清水楓・二役)は彩を殺害して姉になりすますのだが……

幕后花絮

意外空间

  兄弟二人生活过的紧巴巴,弟弟生性懦弱,哥哥强势霸道,这天,哥哥抢劫别人得来了钱,兄弟二人正高兴之际,一名侦探找上门来,双方发生争执,追逐之中,三个人发现自己被困于无穷无尽的楼梯上,无论如何都走不到尽头 ……  另一边,一家人被困于无边无境的马路上,相同的加油站,相同的便利店,四周一望无际的荒野,却如何都逃不出这可怕的地狱……  两个没有界限的空间,他们要如何应对内心逐渐升起的绝望?

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster